A good way to enjoy fall color in Indiana is via a simple drive along the tree lined roadways, especially the backroads, where there are few houses or commercial facilities to spoil the views. The roads make good leading lines, but I do worry about having too much road in the images, since the most interesting subject is not the roadway.
Indiana Backroad Forest 1, October 24, 2023
It is not always possible to find a safe place to pull over off of the roadways, but where possible, one can get fall forest images right beside the road.
Indiana Backroad Forest 2, October 24, 2023Indiana Backroad Forest 3, October 24, 2023
I’m sure I’ve said this before, but here it is again: Backroads are often the best way to find uncommon beauty. Or maybe that should be common beauty, since it is all around us, but maybe taken for granted.
Stones Not RollingShorts and TallsForest FeetDown into the ForestFall Layers – Gamboge, Green and RussetIntertwined – Vine WeaveMossy ForkVine MessengersTreelinePink FallPortal
Is this a natural scar or a portal into another world? If a portal, would the other world be weirder than our’s today?
I found the T. C. Steele Historic Site marked on an online map of the area around my operational base in Indiana. I had never heard of T. C. Steele, so I did what I usually do in such situations. I searched for information on the internet and discovered that T. C. Steele (1847 – 1926) was an American Impressionist painter, and a member of a group known as the Hoosier Group of painters. I decided it worth while to check out this historic site.
The site is located at the actual home and studio in the countryside, where T.C and his wife lived and worked. There were maybe a couple of more visitors at the site, when I arrived at a fair sized, newish looking parking lot that even had an electric vehicle charging station.
As I walked towards the visitor center, I stopped at the wagon with iron rimmed, wood spoked wheels that served as T. C.’s portable studio. The wagon is a custom built, enclosed wagon with a wood burning stove in one corner. I made a few iPhone images of the interior and exterior, but none were sufficient to fully capture the utility and quaintness of the vehicle.
There is a modest fee, payable at the visitor center. There are scheduled tours that one can take to see the interior of the studios and there are hiking trails around the grounds, garden and through a portion of the Hoosier National Forest across the road from the site.
I elected to walk the grounds on my own, then take a trail through the forest.
Golden Tree, T. C. Steele Historic Site Grounds
The grounds and gardens are attractive and pleasant to walk through. I was impressed by the large hardwood trees on the site, but my attempts to photograph those trees and showcase the grounds did not work out well.
I chose a forest trail and hoped for better photographic results in the woods.
Yellow and Green, Hoosier National Forest at T. C. Steele Historic Site, Indiana, Fall 2021Woodland Path, Hoosier National Forest at T. C. Steele Historic Site, Indiana, Fall 2021
The sheer volume of objects in a forest make it difficult to get really unique images (at least for me). I went through my photos a number of times, thinking most were a lost cause, before finally beginning to choose a few to edit.
Deep Woods, Hoosier National Forest at T. C. Steele Historic Site, Indiana, Fall 2021Hillside, Hoosier National Forest at T. C. Steele Historic Site, Indiana, Fall 2021
Photos in forest can seem so much alike, that I get easily discouraged trying to capture the scenes.
Intimate Hillside, Hoosier National Forest at T. C. Steele Historic Site, Indiana, Fall 2021Green Profusion or Intimate Forest, Hoosier National Forest at T. C. Steele Historic Site, Indiana, Fall 2021
In the end it seems that forest photos are mostly about colors, textures and light, since most of the objects in the photos are so much alike. I struggle to come up with good titles for images, especially the forest ones. I could not decide which title was best for the image above, so I gave it two.
Woodland Creek, Hoosier National Forest at T. C. Steele Historic Site, Indiana, Fall 2021Leaves, Hoosier National Forest at T. C. Steele Historic Site, Indiana, Fall 2021Path to the Light, Hoosier National Forest at T. C. Steele Historic Site, Indiana, Fall 2021
I returned to the old outlook tower that I found earlier, where a trailhead into the Charles C. Deam Wilderness originated. This time I was prepared to hike with my DSLR.
Into the WildernessSplit DecisionParty’s (long) OverMossy LogThe Light BeneathRed GoldAge SpotsForest LightCommiserationRavine Shadows
Early in our stay in Indiana in late October, 2021, I looked out the window and saw that it was a foggy morning. I walked to the roadway in front of the cabin to check out the scene.
Foggy Roadway
I only had my iPhone with me, so I used it to snap a few images in the early morning fog.
Morning Fog and Sun RaysFall FogDiffractionMorning Forest FogMorning Fog and Sun Rays
Just a reminder that all of the images in this post are via an older iPhone, so if that is all you have with you, use it!
In 2019 we were in Indiana the third week of October, which was at least one week early for the peak of fall color. So we scheduled our 2020 visit for the last week of October, which was projected to be the peak time for fall color there. Wrong! The peak came one or two weeks earlier in 2020, then storms the week prior to our visit, removed leaves from most of the mature trees. Fortunately, there were still a few trees, mostly the ones in the forest understory, with fall foliage remaining.
We stayed in a cabin a few miles from Brown County State Park, which is a popular place for fall foliage viewing. The first day in the cabin, I walked around the wooded area on which the cabin was located, making images of the remaining fall color.
Fall Woods, Indiana
It was windy and I was shooting handheld, so I used much higher ISO than I liked to get a sufficiently high shutter speed to freeze the motion of the leaves. Unfortunately, this results in noisy photographs.
Fall Leaves, Indiana
I did what I could to reduce the noise, but there are tradeoff in this process. Too much noise reduction makes the fuzzy images even more fuzzy.
Fall Woods, Indiana
The high ISO can also result in blown out highlights in portions of images. I did not use graduated neutral density filters, since these are problematic in wooded areas with no clearcut line between bright areas and darker area in a composition. I did apply software ND effects, which helps, but software filters are not as good as real physical filters.
Fall Woods, Indiana
To avoid the blown out highlights, I sometimes eliminated the sky in compositions and sometimes cropped out as much of the blown out portions of the images as I could, while trying to maintain a “reasonable” composition.
Fall Woods, Indiana
I was not pleased with many of my photos, even most of the ones that I elected to process, due to these conditions.
Fall Woods, IndianaFall Woods, IndianaFall Woods, IndianaMossy Log, Indiana Fall
In the late afternoon of September 17, as I lounged around a picnic table near my campsite in Ridgway State Park, Colorado, a park attendant stopped by, checking the occupancy of the sites and made a comment about my only staying one night. I struck up a conversation with him and asked if he had gotten any information about fall colors along Owl Creek Pass Road. He said no, but he knew the colors were good along Dallas Divide (Colorado Route 62, aka San Juan Skyway) between Ridgway and Telluride. I immediately changed my plans for early the next morning. I had planned to drive up Owl Creek Pass road the next morning, but I knew to do so would cost me one morning of photography, since I had no specific destination on that road for an early morning shoot and I thought it unlikely that I would be able to find a good spot on that route before late in the morning. So I decided to get up early and drive the San Juan Skyway route, taking a chance that I would find some place to pull off to shoot fall color scenes as the sun was rising, then drive the Owl Creek Pass road afterwards.
I’m not sure that I found the best place to shoot near the Dallas Divide, but I began to see the fall colors appearing as the darkness gave way to the early morning light as I drove along San Juan Skyway early on the morning of September 18 and I found a pull out near what I thought might be a suitable place just a few minutes before sunrise.
A ranch scene along the San Juan Skyway, Colorado. Nikon D850, Nikon 14-24mm at 24mm, f/11, 1/13s, ISO 64, edits in Lightroom and some sky polarization brushed in via Luminar software.
I used the fence line in this composition to lead into the Aspens in the background. I like the side lighting on the grasses, the fence and the shadows cast by the low angle, early morning light.
A ranch scene along the San Juan Skyway, Colorado. Nikon D850, Nikon 14-24mm at 24mm, f/11, 1/20s, edits in Lightroom.
I used the side light on the foreground grasses as a lead in to the large gate framing the Aspens in the background. I suppose one could say that the ranch road leads into the photo, but it is subdued in shadows. I especially liked the side light highlighting the fence line and gate.
A roadside fall scene along the San Juan Skyway. Nikon D850, Nikon 14-24mm at 24mm, f/11, 1/30s, ISO 64, edits in Lightroom.
In the composition above, I liked the early morning highlights on the foreground grasses, the fence and gate and the way the fence line and tree line seem to converge near the gate.
A fall scene along a national forest access road off of the San Juan Skyway, Colorado. Nikon D850, Nikon 14-24mm at 24mm, f/16, 1/15s, Lightroom edits.
Continuing along San Juan Skyway, I saw a number of national forest access roads and decided to explore one of them. I eventually stopped at one interesting looking spot and walked down an embankment into the edge of the forest. I could not go very far without trespassing, since there was a fence line that appeared to be electrified just a short distance from the roadway. I shot along and over that fence line. My main goal was to capture the backlit Aspens, which resulted in dark foregrounds that I had to bring out in Lightroom, but I did not want to overdo that adjustment, preferring to keep the shadows as a contrast to the bright background.
A fall scene along a national forest access road off of the San Juan Skyway, Colorado. Nikon D850, Nikon 14-24mm at 24mm, f/16, 1/40s, ISO 64, Sunday enhanced via Luminar software.
I’m always drawn to other photographers starburst effects, but I never have gotten a such an effect that I liked in my attempts. In these two shots I used Luminar software to add an artificial starburst effect over the real one.
A fall scene along a national forest access road off of the San Juan Skyway, Colorado. Nikon D850, Nikon 14-24mm at 14mm, f/16, 1/100s, ISO 64, starburst enhanced via Luminar software.
As a point of self criticism of these shots (and others, to be posted later), I might have gotten sharper images by raising the ISO and/or increasing the aperture to get a faster shutter speed to ensure that the foliage motion was frozen; but most of my attempts at that yielded otherwise poor results. I attempted to overcome this limitation by waiting for calm, prior to shooting, but there is nearly always some light breeze or residual motion in the foliage.
