Yankee Boy Basin, Colorado, July 2020, Part 2

This is a continuation of my photography effort in Yankee Boy Basin near Ouray, Colorado in July, 2020.

On a couple of our visits to this area, we drove past the waterfalls to try our luck with photographing variations in the local landscape.  The images in this post are all from one morning’s shoot.

Pre-Sunrise light in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 13s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.

This first image is a long exposure made before sunrise, but it is evident that the mountain peaks are already getting some early morning light.  Even though it was a calm morning, there may be some foliage motion apparent in the long exposure.

Sunrise light in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 0.8s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.

As the sun began to come up, I made a series of images, capturing the early morning golden light on the mountaintops, using the deep canyon, created by the many years of the stream flowing down the mountain side, with accompanying erosion, as a leading line into the image.

One of the subtle details that I like in these images is the shadow of another mountain peak that is superimposed upon the prominent, highlighted peak.  I wish that I could say that I planned for this, but it was just an unexpected bonus.

Sunrise light in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 0.6s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.

I experimented with variations on this general composition, trying to determine the most satisfying one.  For the one above, I moved past the tree that was on my left and rotated to the right to include the single tree on the right and more of the area along the right of the canyon.  For the one below, I included a clump of rocks in the lower right and rotated to the left a little.  I like this composition better than any of the previous ones.

Sunrise light in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 16mm, f/11, 0.8s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.

The image below is a variation of the one above.  I like this composition, too, but I still like the one above more, perhaps because the left side of the canyon stands out better in that image, as does the mountain peak at the top right, and the stream and canyon are leading more directly to that peak.

One might note that I edited out that dead tree limb in the lower left in the very first image in this post.  I do not like that element in the other images, but removing it leaves some traces of the edit that might not be apparent to others that do not know that something was removed, but I know that the edit artifacts are there.

Sunrise light in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 15mm, f/11, 0.6s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.

I moved back near my initial position to include the tree on the left in the image below.  One can see a hint of the golden hour glow on the far left peak coming through the top of that tree.  That effect looked better in real life than it does in this image.

Sunrise light in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 14mm, f/11, 0.5s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.

I’ve highlighted the rapids in the stream a little in the editing process to emphasis its function as a leading line.  I could probably improve the canyon’s and stream’s leading line function by a little more lightening along those, but I think the dark red rock along the canyon wall is sufficient and I do not want to take too much of the viewers eye off of that highlighted mountain peak.

Moving even more downstream along the canyon, I used a large boulder as a foreground object.

Sunrise light in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 16mm, f/11, 2.0s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.

To me, that boulder looks too close to the far wall of the canyon to be pleasing. I may take another look at the edit of this photo to see if I can create more separation here.  The leading line of the far canyon wall with the trees along the top edge is still effective in this image, leading the eye to the highlighted peak at the top left.  There is an additional leading line behind the trees, formed by another drainage, leading the eye up towards the highlighted peak near the center of the image.  Maybe the greenery in that leading line could be lightened a little more to improve its function.

Sunrise light in Yankee Boy Basin, July 2020. Nikon D850, Nikon 14-24mm @ 20mm, f/11, 1/3s, ISO 64. Edited in Adobe Lightroom and DxO Nik Color Efex Pro 2.

My initial impression as I composed the above image was that it was not very interesting.  But now that I’ve had more time to think about why I selected this composition, I like it more and maybe even more than any of the other compositions from this shoot.  I like the light and color variation across the image and the leading line of the stream at the bottom left, intersecting with the drainage that goes diagonally across the image to the highlighted peaks at the top right.  Maybe a little more editing might emphasize the leading lines better and maybe I could create more depth to separate that boulder in the right corner from the canyon wall.

The sky is rather dull in all of the images from this shoot.  Clouds might have made all of these images more striking, but we have to work with what we have, when we only get to visit such beautiful places infrequently.

Higher resolution images can be viewed on my Flickr page by clicking upon the images.  The images also look much better, when viewed on a computer screen, rather than the tiny screen of a phone.

Thanks for following, stay well and safe,

Ken

 

 

2 thoughts on “Yankee Boy Basin, Colorado, July 2020, Part 2”

  1. Lovely photos once again. Landscape photography can be such a challenge as you travel many miles and must deal with the conditions present at the time and it entails lots of moving around to get different points of view. It’s a very scenic area and I love the sun lighting the mountain top. I do like that last photo the best because you included the mountain on the left side of the photo. It feels so well balanced and composed. Thank you for sharing your travels once again and I didn’t have to exert myself at all but could still enjoy it.

    1. Thanks, Fay. Initially thinking I had worked that area as well as I could, I was ready to stop shooting for the morning, when I decided to take one last shot, which turned out to be my favorite. Sometime, maybe we think too much about composing and we should just follow an instinct.

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