This is a continuation of hiking and exploration in Valley of Fire State Park and nearby areas, Nevada. All of the photos in this post were shot with an iPhone 14 and converted to monochrome.
After returning from scouting the north area and having a late lunch, I decided to kill some time, while waiting until time to go out for sunset photos by walking around in the area just across the road, west of the south parking area. Usually, I only went a very short distance into this area to climb a hill to get a cell signal.
This area, as far as I know is not a part of the designated Bisti Wilderness and is probably on Navaho land, but it might also be BLM land.
South Bisti area scouting photo. iPhone photo, edited in Adobe Lightroom and DXO Nik Color Efex Pro 4.
Just into this area, I spotted this small arch with a view through it into the parking area. The red blob within the arch opening is my Sportsmobile.
South Bisti area scouting photo. iPhone photo, edited in Adobe Lightroom and DXO Nik Color Efex Pro 4.
This photo is a close up of the arch with the parking lot visible through it.
South Bisti area scouting photo. iPhone photo, edited in Adobe Lightroom and DXO Nik Color Efex Pro 4.
A really close up shot through the arch in which my red Sportsmobile is visible near the center.
Red capped hoodoos in a wash iPhone photo, edited in Adobe LR and DxO Nik Color Efex Pro 4.
Continuing through the wash behind the arch, I found these small red capped hoodoos in the wash.
This automobile carcass is on a hill side bordering a wash. It must have gotten here via a flash flood. iPhone photo, edited in Adobe LR and DxO Nik Color Efex Pro 4.
A little further down the wash, I found this upside down automobile body on a hill bordering the wash. I wondered how this got here, since there is no road, not even a reasonable way to drive into here to dump a wrecked vehicle. Then I realized that it must have been deposited here by a flash flood.
This must have been deposited here via a flash flood. iPhone photo, edited in Adobe LR and DxO Nik Color Efex Pro 4.
This view from the opposite side gives a better context for its location.
Hiking through this wash I encountered more automobile parts, which may have come from this vehicle. One such part is in the photo below.
Deposited here via flash flood(?) iPhone photo, edited in Adobe LR and DxO Nik Color Efex Pro 4.The dark rock chips scattered over much of Bisti come from this dark layer of rock. iPhone photo, edited in Adobe LR and DxO Nik Color Efex Pro 4.
The dark layer in the side of this hill is the geological deposition from which all the dark rock fragments scattered all around Bisti are derived.
Dark rock layer weathering creates horseshoe pattern on a hillside iPhone photo, edited in Adobe LR and DxO Nik Color Efex Pro 4.
I saw the horseshoe like features on this hill side from a distance and they looked like a strange geological feature, so walked closer to investigate. This photo clearly shows that there are exposed portions of the dark rock layer that are weathering. The loose rock fragments are then washed downhill creating this geometric feature.
The many red rocks scattered across Bisti come from this red rock layer. iPhone photo, edited in Adobe LR and DxO Nik Color Efex Pro 4.
The red rock layer above is probably the source of all the red rocks scattered all around Bisti. This is the only place that I consciously have observed this rock layer still contained within other layers of rock. I frequently see it as caps over the underlying layers, where the overlying layers have already eroded away.
The geological observations and/or conclusions/conjectures here are my own and not necessarily academically robust.
Clothes dryer shell. Deposited here via flash flood (?) iPhone photo, edited in Adobe LR and DxO Nik Color Efex Pro 4.
A hoodoo on the wash wall with a clothes dryer visible in the wash in the lower left of the photo. I’m guessing that this clothes dryer shell also got here via a flash flood.
Deposited here by flash flood (?) iPhone photo, edited in Adobe LR and DxO Nik Color Efex Pro 4.
And a roll away bed frame that probably got here via a flash flood, too. I suppose it is possible that some of these type items might have been intentionally dumped into a wash somewhere, then got moved around via flash flooding.
The water here is either rich in minerals or dissolves minerals as it flows over the terrain, later dropping out of solution as the water evaporates. iPhone photo, edited in Adobe LR and DxO Nik Color Efex Pro 4.
Walking back towards the parking area, I looked more carefully around the drainage flowing out of Bisti into the area across the road. It is apparent that there are salts or other minerals in the water that drop out along the stream as the water floods over the land, then evaporates. This area is very soft and it is not advisable to walk into it.
Abstract art form in mud along a shallow stream bed. iPhone photo, edited in Adobe LR and DxO Nik Color Efex Pro 4.
The stream creates abstract art like patterns in the mud, some outlined with colorful mineral deposits.
Abstract patterns in mud in a shallow stream bottom. iPhone photo, edited in Adobe LR and DxO Nik Color Efex Pro 4.
The above mud pattern makes a really nice abstract photo.
This has gotten into a much longer post than I intended. I hope you have not been too bored by it.
Sand dunes provide great opportunities for abstract photography. I hope that the few such photographs shared in this post will illustrate such possibilities.
This image is created via focus stacking 4 images in Adobe Photoshop, with edits in Adobe Lightroom and DXO Nik software. Nikon D850, Nikon 24-70mm at 70mm, f/11, 1/50s, ISO 64.
Wind creates large expanses of ripples and repeating patterns in sand dunes, such as those shown above. These can be rendered effectively in color, if the light is favorable. I like monochrome for such photos, since one only needs the light to provide shadows and highlights, meaning one can shoot at times other than just the “golden” hours.
By excluding moving objects, one can use focus stacking quite effectively in such images, getting sharp images over a large depth range.
Sandhills Abstract. Nikon d850, Nikon 24-70mm at 55mm, f/11, 1/50s, ISO 200. Edited in Adobe Lightroom and DXO Nik software.
I really like this photo with the diagonal ripples superimposed on the orthogonal wave in the dune. Obviously, the shadows in the troughs, alternating with the highlights on the crests of the ripples, produces these interesting features.
A composite of three images focus stacked in Adobe Photoshop with edits in Adobe Lightroom and DXO Nik software. Nikon D850, Nikon 24-70mm at 46mm, f/11, 1/40s, ISO 200.
This is another of my favorite abstracts from the sandhills. In this case, I like the highlight in the depression near the top right of the image and the way the ripples flow into and around the depression.
A composite of three images, focus stacked in Adobe Photoshop, with edits in Adobe Lightroom and DXO Nik software. Nikon D850, Nikon 24-70mm at 40mm, f/11, 1/60s, ISO 200.
Another image with interesting, bifurcating, ripple patterns with faint wisps of plant matter (look closely to see these) across the ripples.
This is a composite of 6 images focus stacked in Adobe Photoshop with edits in Adobe Lightroom and DXO Nik software. Nikon D850, Nikon 24-70mm at 48mm, f/11, 1/125s, ISO 200.
The animal track across these subdued ripples adds interest to the pattern. The original color version also shows variations in the color of the sand, producing streaks of color crossing the ripples.
Natural artwork in the sandhills. Nikon D850, Nikon 24-70mm at 70mm (before crop), f/11, 1/15s, ISO 200. Edited in Adobe Lightroom and DXO Nik software.
I’m sure some of you have seen images of circles swept into sand by plant fronds or limbs. Here is a variation on that with the lower frond producing long streaks across the sand ripples and the upper frond pecking out an intricate, dimpled pattern along the direction of the sand ripples. To me such natural art work is fascinating. These are also short lived, since the next wind will probably erase these or maybe produce a variation. So, if you see an interesting one, photograph it before it is gone!