Rio Grande National Forest, Colorado, September 26, 2020, Mid-Day, Part 2

I continued to shoot, under the overcast sky, in an upper elevation Aspen forest, where the ground was covered with fall leaves and an abundance of old logs and stumps of fallen trees.

Mossy Logs and Aspen Leaves. Nikon D850, Nikon 24-70mm @ 45mm, 1/320s, f/11, ISO 800.
Glory Fades. Nikon D850, Nikon 24-70mm @ 24mm, 1/250s, f/11, ISO 1000.
Death in the Forest. Nikon D850, Nikon 24-70mm @ 28mm, 1/250s, f/11, ISO 1000.

The stump above reminds me of the skeleton skull of a longhorn steer that one might find in a desert setting.

Tree Stump and Aspen Leaves. Nikon D850, Nikon 24-70mm @ 34mm, 1/400s, f/11, ISO 1250.
Fading Away. Nikon D850, Nikon 24-70mm @ 70mm, 1/320s, f/11, ISO 1250.
Old Stump and Aspen Leaves. Nikon D850, Nikon 24-70mm @ 45mm, 1/250s, f/11, ISO 1250.
Colorful Forest Floor. Nikon D850, Nikon 24-70mm @ 70mm, 1/640s, f/11, ISO 1250.

I found a batch of young evergreens among the large Aspens decorated by fallen Aspen leaves.

Evergreens and Aspens. Nikon D850, Nikon 24-70mm @ 58mm, 1/250s, f/11, ISO 1250.
Small Evergreen with Aspen Leaves. Nikon D850, Nikon 24-70mm @ 70mm, 1/200s, f/11, ISO 1250.

This wraps up the mid-day exploration and shoot and I want to remind viewers that the images look much better on the website or on Flickr (if posted there) and on a large screen, rather than in an e-mail or small mobil device screen.

Thanks for following and stay tuned for the final late day shoot,

Ken

Rio Grande National Forest, Colorado, September 23, 2020, Part 3

I began my late day photography in the Rio Grande National Forest by walking briefly through the forest near my campsite before crossing FSR 380 into the forest on the opposite side of the roadway.

Forest Road. Nikon D850, Nikon 24-70mm @ 42mm, 1/125s, f/11, ISO 200.

The first image here is a shot down FSR 380, just past my campsite.  It is obvious from this image that there are some Aspens in peak fall color, while many others are just beginning to show signs of changing from green to yellow.

Overhead Loop. Nikon D850, Nikon 24-70mm @ 46mm, 1/200s, f/11, ISO 2500.

Aspens tend to grow straight and tall, self pruning as they gain height, but some grow in strange ways, such as this one on the right side in the image above, with the loop at top, where it turns sideways.

Forest Seclusion. Nikon D850, Nikon 24-70mm @ 48mm, 1/320s, f/11, ISO 2500.

Aspen trunks have always fascinated me.  They are usually tall, slender and grayish-white with hints of green and sometimes other colors, with smooth to rough trunks with dark black marks, where limbs have fallen off as the trees matures.

Forest Eyes. Nikon D850, Nikon 24-70mm @ 44mm, 1/160s, f/11, ISO 200.
Forest Light. Nikon D850, Nikon 24-70mm @ 24mm, 1/500s, f/11, ISO 200.

A forest is also a good place to get a starburst effect; but I think the one in the image above is too large and distracting.  A smaller aperture would have given a smaller, sharper starburst.

Leaves and Trunks. Nikon D850, Nikon 24-70mm @ 70mm, 1/200s, f/11, ISO 400.
Signatures. Nikon D850, Nikon 24-70mm @ 70mm, 1/100s, f/11, ISO 800.

I do not know what made the curved traces on the two trees in this image, but they are remarkably like data plots that I interpreted as a part of my work before my retirement.  I posted this image on LinkedIn, where I knew others would see those traces as I did,  and as of this writing it has received 15,275 views, 252 likes and 56 comments.

Under the Canopy. Nikon D850, Nikon 24-70mm @ 70mm, 1/100s, f/11, ISO 800.

The small Aspens in full color beneath the much taller ones were eye-catching.

Under and Over. Nikon D850, Nikon 24-70mm @ 24mm, 1/160s, f/11, ISO 800.
Leaning into Fall. Nikon D850, Nikon 24-70mm @ 60mm, 1/200s, f/11, ISO 800.
Aspen Sky. Nikon D850, Nikon 24-70mm @ 50mm, 1/500s, f/11, ISO 400.

A skyward view beneath the tall Aspens can be awesome, especially if the Aspens are in full fall color, with the yellow leaves set against a blue sky.  There is a full range of color in the images here, since “peak” color is not yet here.

Skyward. Nikon D850, Nikon 24-70mm @ 24mm, 1/200s, f/11, ISO 200.
Joyful. Nikon D850, Nikon 24-70mm @ 24mm, 1/50s, f/11, ISO 320.

Even without the peak color, the aspen trunks with green and yellow foliage and scattered evergreens beneath them provide beautiful fall forest scenes.

To be continued,

Ken

 

Rio Grande National Forest, September 19, 2020

On Saturday, September 19, 2020 we photographed just off of a roadway not too far from Platoro Reservoir. I made a few shots with the reservoir and mountainside behind.  This one is my favorite:

Aspen, Platoro Reservoir and Mountain. Nikon D850, Nikon 14-24mm @ 24mm, 1/400s, f/16, ISO 125.

It takes considerable thought making compositions within a forest.  Even though there is natural beauty all around, it is not as easy as one might think to make an interesting photograph with so much around that can be distracting or unappealing in an image and, after a while, one begins to think that the compositions are too common and repetitive.

Contrast. Nikon D850, Nikon 14-24mm @ 24mm, 1/60s, f/16, ISO 100.

I found the contrast of the small evergreens among the tall, rugged Aspens interesting.

Fall Decor. Nikon D850, Nikon 14-24mm @ 24mm, 1/125s, f/16, ISO 800.
Fall Forest. Nikon D850, Nikon 14-24mm @ 24mm, 1/400s, f/16, ISO 800.

And again I found boulders with fallen Aspen leaves decorating them in the forest.

Forest Boulders. Nikon D850, Nikon 14-24mm @ 24mm, 1/125s, f/16, ISO 100.
Aspens and Boulder. Nikon D850, Nikon 14-24mm @ 24mm, 1/320s, f/11, ISO 800.

Near the roadway I found a number of Aspens that had started growing horizontally, maybe from some early life damage, but that had turned to grow upward toward the sky.

Directional Correction. Nikon D850, Nikon 14-24mm @ 24mm, 1/160s, f/16, ISO 400.

As I later discovered, it was not unusual to find such curved shapes in the Aspen trunks.  I’m sure there must be a logical explanation for this unusual growth pattern.

I spotted a small shimmering Aspen tree that really stood out against the darker surroundings.  I included the small tree as a highlight in a wide angle image.  When reviewing that photograph, I decided to crop the image, making it more apparent that the small tree was the primary object of interest .

Shimmering Aspen. Nikon D850, Nikon 14-24mm @ 24mm, 1/500s, f/11, ISO 400.

I made a few close up images of the yellow Aspen leaves late in the day.  I had brought only a wide angle lens on this shoot.  The wide angle close ups always include much more than I wanted in the images, so I cropped them during editing to pick out the portions that I was trying to capture.

Aspen Leaves. Nikon D850, Nikon 14-24mm @ 24mm, 1/125s, f/4, ISO 400.
Aspen Leaves. Nikon D850, Nikon 14-24mm @ 24mm, 1/320s, f/2.8, ISO 400.

It was late in the day and the sun was rapidly sinking in the sky, but I managed to get a few images with weak back light, then a few more with dispersed light. The three presented here are the ones that I like best.

Aspen Leaves. Nikon D850, Nikon 14-24mm @ 24mm, 1/640s, f/2.8, ISO 400.

More later,

Ken