By the time this final post, covering my fall visit to the Rio Grande National Forest, is published it will be late spring of 2021. It would have been good to have been able to publish all of the fall photographs in the fall, but it takes time to review and edit so many photographs and there are always other trips, events and personal matters that delay getting posts prepared.
Maybe I should take fewer photographs? But photography of natural places is my hobby and I get to do too little of it as is, so I will continue to make as many photos like these as often as I can get away to do so.
Fall Forest. Nikon D850, Nikon 24-70mm @ 24mm, 1/320s, f/11, ISO 3200.Red and Green Leaf on Log. Nikon D850, Nikon 24-70mm @ 70mm, 1/200s, f/11, ISO 3200.
Dark Red. Nikon D850, Nikon 24-70mm @ 70mm, 1/200s, f/11, ISO 3200.Fall Forest Roadway. Nikon D850, Nikon 24-70mm @ 24mm, 1/500s, f/11, ISO 3200.Leaf on Log. Nikon D850, Nikon 24-70mm @ 70mm, 1/125s, f/11, ISO 3200.Leaves and Moss on Stump. Nikon D850, Nikon 24-70mm @ 24mm, 1/125s, f/11, ISO 3200.Leaves and Stump. Nikon D850, Nikon 24-70mm @ 70mm, 1/80s, f/11, ISO 3200.Trapped. Nikon D850, Nikon 24-70mm @ 70mm, 1/125s, f/11, ISO 6400.
I’ll finish with a final photograph that I think is appropriate for wrapping up this trip.
The heart shaped scar on this tree appears to be natural and not one of the many carved ones that I encountered.
As soon as I publish this, I will begin preparations for another trip to begin in a few days. I have much to do and still have to select a primary destination. Maybe by next year, I will even be posting photos from that trip. (I still have other events in the queue to work through before getting to anything new)!
Shelter. Nikon D850, Nikon 24-70mm @ 70mm, 1/100s, f/11, ISO 3200.Trunk Trio. Nikon D850, Nikon 24-70mm @ 52mm, 1/320s, f/11, ISO 3200.Hint of Fall, B&W with selective colorization. Nikon D850, Nikon 24-70mm @ 24mm, 1/320s, f/11, ISO 400.Sanctuary. Nikon D850, Nikon 24-70mm @ 70mm, 1/250s, f/11, ISO 2000.Forest Road and Barren Aspens, B&W with selective colorization. Nikon D850, Nikon 24-70mm @ 52mm, 1/320s, f/11, ISO 2000.Advanced Fall, B&W with selective colorization. Nikon D850, Nikon 24-70mm @ 24mm, 1/160s, f/11, ISO 2000.Advanced Fall. Nikon D850, Nikon 24-70mm @ 24mm, 1/160s, f/11, ISO 2000.Hanging On, B&W with selective colorization. Nikon D850, Nikon 24-70mm @ 24mm, 1/250s, f/11, ISO 2000.Stump with moss and leaves. Nikon D850, Nikon 24-70mm @ 32mm, 1/320s, f/11, ISO 3200.
Just one comment to wrap up this post. Viewers will note that I’ve include color versions of a few images that were then converted to black and white with selective colorization to add emphasis.
Stay tuned for the wrap up for my September 2020 Rio Grande National Forest visit.
For our late day shoot, we decided to drive back into a higher elevation portion of the forest. I’ll refrain from using too many words to wrap up the final shoot of my last day here, so these last several posts will consist of mostly photographs.
Aspen Fall. Nikon D850, Nikon 24-70mm @ 70mm, 1/250s, f/11, ISO 2500.Aspen Leaf and Evergreen. Nikon D850, Nikon 24-70mm @ 70mm, 1/200s, f/11, ISO 1600.Leaf and Bark. Nikon D850, Nikon 24-70mm @ 70mm, 1/80s, f/11, ISO 320.Fall Forest. Nikon D850, Nikon 24-70mm @ 24mm, 1/125s, f/11, ISO 1600.Leaf Hoard. Nikon D850, Nikon 24-70mm @ 70mm, 1/200s, f/11, ISO 2000.Leaf and Bough. Nikon D850, Nikon 24-70mm @ 70mm, 1/250s, f/11, ISO 2000.Golden Forest Floor. Nikon D850, Nikon 24-70mm @ 26mm, 1/250s, f/11, ISO 2000.Gnarly. Nikon D850, Nikon 24-70mm @ 32mm, 1/250s, f/11, ISO 2000.Soft Landing. Nikon D850, Nikon 24-70mm @ 70mm, 1/160s, f/11, ISO 3200.
I continued to shoot, under the overcast sky, in an upper elevation Aspen forest, where the ground was covered with fall leaves and an abundance of old logs and stumps of fallen trees.
Mossy Logs and Aspen Leaves. Nikon D850, Nikon 24-70mm @ 45mm, 1/320s, f/11, ISO 800.Glory Fades. Nikon D850, Nikon 24-70mm @ 24mm, 1/250s, f/11, ISO 1000.Death in the Forest. Nikon D850, Nikon 24-70mm @ 28mm, 1/250s, f/11, ISO 1000.
The stump above reminds me of the skeleton skull of a longhorn steer that one might find in a desert setting.
Tree Stump and Aspen Leaves. Nikon D850, Nikon 24-70mm @ 34mm, 1/400s, f/11, ISO 1250.Fading Away. Nikon D850, Nikon 24-70mm @ 70mm, 1/320s, f/11, ISO 1250.Old Stump and Aspen Leaves. Nikon D850, Nikon 24-70mm @ 45mm, 1/250s, f/11, ISO 1250.Colorful Forest Floor. Nikon D850, Nikon 24-70mm @ 70mm, 1/640s, f/11, ISO 1250.
I found a batch of young evergreens among the large Aspens decorated by fallen Aspen leaves.
Evergreens and Aspens. Nikon D850, Nikon 24-70mm @ 58mm, 1/250s, f/11, ISO 1250.Small Evergreen with Aspen Leaves. Nikon D850, Nikon 24-70mm @ 70mm, 1/200s, f/11, ISO 1250.
This wraps up the mid-day exploration and shoot and I want to remind viewers that the images look much better on the website or on Flickr (if posted there) and on a large screen, rather than in an e-mail or small mobil device screen.
Thanks for following and stay tuned for the final late day shoot,
After our morning shoot, my son wanted to explore some of the other Forest Service Roads nearby, so we drove along several of those and into higher elevations, where most of the trees had already lost most of their leaves.
It was an overcast day and the dispersed light was good for photographing in the forest.
The Aspen leaf in this photo had not quite completed its color transformation, before it fell to rest upon a mossy bed.
Yellow and Green, Nikon D850, Nikon 24-70mm @ 70mm, 1/1250s, f/11, ISO 5000.Aspen Leaves on Mossy Stump, Nikon D850, Nikon 24-70mm @ 70mm, 1/160s, f/11, ISO 3200.Forest floor, Nikon D850, Nikon 24-70mm @ 70mm, 1/200s, f/11, ISO 3200.
I prefer to photograph these little details as I find them; but sometimes I’m tempted to move things around. I did not move anything in the photo above; but I can’t help but wonder, if I should have. Should I have removed the blade of grass pointing at the Aspen leaf in the middle? Or does that blade of grass serve as a useful pointer in this photograph? Would this image be better, if I had cleared away some of the debris around the edges or the scattered leaves, leaving just the single leaf in the center? What about that little twig resting on the stump to the left of the center leaf?
I have no objection to “posing” a natural scene for artistic purpose and I have removed man made items from natural scenes and I’m quite ok with this. I’ve occasionally removed a twig, a fallen tree limb or a blade of grass, if I thought those were distracting in a scene. But nature is not perfect, so will “cleaning” a scene make it unreal? Is unreal ok in this sense? No one would know the scene has been modified, if not so informed by the photographer. Is it acceptable to “manufacture” a natural scene?
Red and Green, Nikon D850, Nikon 24-70mm @ 70mm, 1/250s, f/11, ISO 800.Aspen Leaf, Nikon D850, Nikon 24-70mm @ 65mm, 1/200s, f/11, ISO 800.
And I will wrap up this portion of this morning’s photos with one final forest image, which I just noted this morning was chosen for Flickr’s Explore page.
We went into the forest that surrounded our campsite again this morning. It is getting more difficult to find scenes that are significantly different than others that have already been photographed.
I’m trying to give more attention to the small, intimate details in the forest.
Aspen Leaf on Forest Floor. Nikon D850, Nikon 24-70mm @ 70mm, 1/200s, f/11, ISO 2000.Aspen Leaf in Evergreen. Nikon D850, Nikon 24-70mm @ 70mm, 1/125s, f/11, ISO 2500.Aspen Leaf on Stump. Nikon D850, Nikon 24-70mm @ 70mm, 1/125s, f/11, ISO 2500.
Occasionally, I find stumps that indicate a tree has been purposely cut down. I do not know why, but I suspect they were felled by hunters to make their hunting blinds, which I have seen scattered around the forest.
I had not explored much of the forest on the west side of the utility right of way, where I was camped. So today, I decided to continue into that portion of the forest for a while to finish my late day shoot.
In the above image, I was actually trying to capture the highlights along a barbed wire fence. The intended images did not come out very well, but in this one I caught a couple of falling leaves, which are blurred due to the shutter speed not being fast enough to freeze their motion.
I will confess that I modified the scene above by adding the yellow Aspen leaf on the upper right side. I wish I had removed the twig on the left side.
The image above is my favorite in this portion of this post. I really like the late day shadows and highlights on the trunks and the streaks of light on the forest floor.
I found an Aspen tree trunk not too far from another camping area, where hunters were camped, with this message on it. I promise I did not do this and I do not know Beth!
I stayed around my campsite in the afternoon, waiting for my son and his wife to arrive from the Denver area. To occupy some of my time I sat outdoors, enjoying the mild weather, reading on my Kindle.
Rio Grande National Forest Campsite. iPhone photograph.
I kept seeing a curious chipmunk scampering about the campsite. It even jumped onto the arm of my camp chair, startling me.
A curious chipmunk. iPhone photograph.
At one point, I noticed the chipmunk on the side step below the side door of my vehicle, peering inside. This immediately alarmed me and I jumped up to shoo it away. Even though I had the bug screen zipped closed, I had neglected to completely fasten the bottom velcro seal. It was too late. The chipmunk entered my vehicle. I went in to try to find it and encourage it to go back outside.
There are plenty of places inside my vehicle for such a small animal to hide. While I was searching for the chipmunk, my son and DIL arrived. I left the vehicle to greet them, after which I continued to search for the chipmunk. I never found the chipmunk and I feared it pouncing upon me as I lay sleeping at night. Even if the chipmunk did not do harm itself, the shock of being pounced upon in the middle of the night might have caused a physical reaction resulting in my harming myself. I was also concerned it might hitch a ride back to my home or die inside the vehicle. To my relief, it apparently found its way back into the great outdoors of Colorado.
Late in the afternoon, we walked into the forest for an afternoon shoot.
Our wandering through the forest eventually led us to an open area on a steep slope, above another portion of the forest below. I saw streaks of light highlighting the grasses, similar to those I had shot, without great success, the previous day. But today I managed to get a much better image, with the image below, my favorite from this afternoon’s shoot. I cropped the image to remove the tops of trees and some sky in the wide angle image that distracted from the main subject, a beam of light, cutting diagonally across the image and ending at a small Aspen.
Leaving this area, we walked back towards the utility roadway. Until I looked closely at the image below, I had not realized that it included a portion of my DIL near the bottom left. I was shooting up from a slope and she was just on the other side of a rise.
Aspens and Late Day Starburst. Nikon D850, Nikon 14-24mm @ 24mm (before crop), 1/200s, f/11, ISO 800.Aspens and Starburst. Nikon D850, Nikon 14-24mm @ 24mm, 1/200s, f/11, ISO 200.
I shot the image above from the utility right of way, looking into the forest to the west of the roadway.
I will cover the last portion of this shoot in the next blog.
