Rio Grande National Forest, Colorado, September 25, AM Part 1

I walked from my campsite a little after 7AM, going down the utility right of way for a short distance, then ventured into the forest for a morning shoot.  A good thing about shooting in a fall forest is that one does not have to be in the woods before daybreak, unless one has a definite location in mind that requires one to be on location at a specific time.   It seems that the morning light in a forest can be good from early morning until almost noon, or even later if it is overcast.  So just wandering about in the forest looking for photographic opportunities, getting a later than pre-sunrise start is fine.

Aspen Forest Morning. Nikon D850, Nikon 14-24mm @ 24mm, 1/250s, f/11, ISO 3200.
Towering Aspens. Nikon D850, Nikon 14-24mm @ 24mm, 1/125s, f/11, ISO 1600.
Aspen Forest Morning. Nikon D850, Nikon 14-24mm @ 24mm, 1/125s, f/11, ISO 1600.
Aspen Forest Morning. Nikon D850, Nikon 14-24mm @ 24mm, 1/125s, f/11, ISO 500.
Aspen Forest Morning. Nikon D850, Nikon 14-24mm @ 24mm (before crop), 1/200s, f/11, ISO 1600.

I’m making so many images of the tree trunks and wide angle forest views, that I’m again thinking that these kind of photographs are getting redundant, so I spend more time looking for little details, like the small, colorful plants on the forest floor that are highlighted by morning sunbeams filtering through the forest.

Fall Forest Floor. Nikon D850, Nikon 14-24mm @ 24mm (before crop), 1/125s, f/11, ISO 1600.

Still I can’t resist getting starbursts (this one is too large and distracting) through the tree trunks

Aspen Forest Starburst. Nikon D850, Nikon 14-24mm @ 24mm, 1/320s, f/11, ISO 640.

and zoomed in images of a mass of Aspen tree trunks

A dense batch of Aspen trunks in Rio Grande National Forest. Nikon D850, Nikon 14-24mm @ 24mm (before crop), 1/125s, f/11, ISO 400.

or a wide angle image that makes the trees appear to lean towards the center, as if they are huddling to plan their day.

The Huddle. Nikon D850, Nikon 14-14mm @ 24mm, 1/250s, f/11, ISO 500.

But the forest floor is not to be ignored.

Stump. Nikon D850, Nikon 14-24mm @ 24mm (before crop), 1/80s, f/11, ISO 800.

To be continued,

Ken

 

 

Rio Grande National Forest, Colorado, September 23, 2020, Part 4

I continued my stroll through the Rio Grande National Forest just off of US 380, hoping to get interesting photographs within the forest.

Near and Far. Nikon D850, Nikon 24-70mm @ 40mm, 1/500s, f/11, ISO 640.

I shot the image above with the near trees on one side of FSR 380 and the far trees on the far side of the roadway.  There was increasing cloudiness, which I hoped did not indicate a late day rain storm.

Aspen Trunks and Evergreens. Nikon D850, Nikon 24-70mm @ 70mm, 1/3s, f/11, ISO 64.

One can find an infinite number of ways to shoot the Aspen trunks, which is both good and bad.  When is enough, enough?  And when do these images become so repetitive as to be boring?  Is there really anything unique in these images?

Falling. Nikon D850, Nikon 24-70mm @ 24mm, 1/160s, f/11, ISO 1000.

A few recently fallen trees broke up the vertical pattern of the tree trunks.

Bent and Broken. Nikon D850, Nikon 24-70mm @ 28mm, 1/125s, f/11, ISO 500.
Diverse Forest. Nikon D850, Nikon 24-70mm @ 31mm, 1/125s, f/11, ISO 500.
Trunk Line. Nikon D850, Nikon 24-70mm @ 70mm, 1/125s, f/11, ISO 1600.

Even within a dense forest, I noted that sometimes by standing in the right place, I could see an almost linear line of tree trunks.  Of course, I had to crop the wide angle view to show what caught my eye.

Early Fall Aspen Forest. Nikon D850, Nikon 24-70mm @ 24mm, 1/125s, f/11, ISO 1600.

As I worked my way around the edge of a high ridge in the forest, I began to find more fallen trees, which made various geometric patterns on or near the forest floor.

Standing and Fallen. Nikon D850, Nikon 24-24mm @ 70mm, 1/160s, f/11, ISO 1600.
Forest Floor. Nikon D850, Nikon 24-70mm @ 24mm, 1/125s, f/11, ISO 2000.

After few more minutes of walking from the end of the ridge I came to an opening in the forest along a steep slope with good views of forested mountainsides.  I could tell that the sun would drop below a mountain side before the golden hour, but the moving clouds resulted in highlights of the distant fall color as the shadows moved across the mountainsides.

Aspen Mountain Spotlight.  Nikon D850, Nikon 24-70mm @ 29mm, 1/200s, f/11, ISO 400.

More later,

Ken