Indiana, Fall 2021, Part 17 – Charles C. Deam Wilderness

A continuation of photos captured during a morning hike in the Charles C. Deam Wilderness area of the Hoosier National Forest, Indiana.

Woodland Path
Bent and Bowed, Not Broken
Topical Conference
Dense Forest
The Ravine Way
Tree-O
Three by Three
Gatway
Lighting the Way
Green Markers

That’s it for this hike.

Until next time,

Ken

 

Indiana, Fall 2021, Part 8 – Ogle Lake, Brown County State Park

I continued hiking the trail around Ogle Lake and shooting images in and around the lake.

Fall Forest

The big lens allowed me to zoom into the edge of the forest across the lake, eliminating the sky and the lake from the scene.

Early Fall Color
Dreamy Reflections

Reflections in water are always a good subject.  The scene above drew me to it as soon as I noticed how the log divided the reflections and calmed the surface just enough to create the impressionist forest reflection.

Leaves and Trunk
Red Fall
Tattered

Before I left the park, I stopped and hiked along a trail through the forest.  I shot many images, but most were not all that appealing, so I’m just sharing a few of the better ones.

Forest Light
A Touch of Red
Big Red Mittens

Thanks for following,

Ken

Rio Grande National Forest, Colorado, September 26, 2020 PM, Part 2

Again, mostly photographs and few words.

Shelter. Nikon D850, Nikon 24-70mm @ 70mm, 1/100s, f/11, ISO 3200.
Trunk Trio. Nikon D850, Nikon 24-70mm @ 52mm, 1/320s, f/11, ISO 3200.
Hint of Fall, B&W with selective colorization. Nikon D850, Nikon 24-70mm @ 24mm, 1/320s, f/11, ISO 400.
Sanctuary. Nikon D850, Nikon 24-70mm @ 70mm, 1/250s, f/11, ISO 2000.
Forest Road and Barren Aspens, B&W with selective colorization. Nikon D850, Nikon 24-70mm @ 52mm, 1/320s, f/11, ISO 2000.
Advanced Fall, B&W with selective colorization. Nikon D850, Nikon 24-70mm @ 24mm, 1/160s, f/11, ISO 2000.
Advanced Fall. Nikon D850, Nikon 24-70mm @ 24mm, 1/160s, f/11, ISO 2000.
Hanging On, B&W with selective colorization. Nikon D850, Nikon 24-70mm @ 24mm, 1/250s, f/11, ISO 2000.
Stump with moss and leaves. Nikon D850, Nikon 24-70mm @ 32mm, 1/320s, f/11, ISO 3200.

Just one comment to wrap up this post.  Viewers will note that I’ve include color versions of a few images that were then converted to black and white with selective colorization to add emphasis.

Stay tuned for the wrap up for my September 2020 Rio Grande National Forest visit.

Ken

Rio Grande National Forest, Colorado, September 26, 2020 PM, Part 1

For our late day shoot, we decided to drive back into a higher elevation portion of the forest. I’ll refrain from using too many words to wrap up the final shoot of my last day here, so these last several posts will consist of mostly photographs.

Aspen Fall.  Nikon D850, Nikon 24-70mm @ 70mm, 1/250s, f/11, ISO 2500.
Aspen Leaf and Evergreen. Nikon D850, Nikon 24-70mm @ 70mm, 1/200s, f/11, ISO 1600.
Leaf and Bark. Nikon D850, Nikon 24-70mm @ 70mm, 1/80s, f/11, ISO 320.
Fall Forest. Nikon D850, Nikon 24-70mm @ 24mm, 1/125s, f/11, ISO 1600.
Leaf Hoard. Nikon D850, Nikon 24-70mm @ 70mm, 1/200s, f/11, ISO 2000.
Leaf and Bough. Nikon D850, Nikon 24-70mm @ 70mm, 1/250s, f/11, ISO 2000.
Golden Forest Floor. Nikon D850, Nikon 24-70mm @ 26mm, 1/250s, f/11, ISO 2000.
Gnarly. Nikon D850, Nikon 24-70mm @ 32mm, 1/250s, f/11, ISO 2000.
Soft Landing. Nikon D850, Nikon 24-70mm @ 70mm, 1/160s, f/11, ISO 3200.

To be continued,

Ken

Rio Grande National Forest, Colorado, September 26, 2020, Mid-Day, Part 2

I continued to shoot, under the overcast sky, in an upper elevation Aspen forest, where the ground was covered with fall leaves and an abundance of old logs and stumps of fallen trees.

Mossy Logs and Aspen Leaves. Nikon D850, Nikon 24-70mm @ 45mm, 1/320s, f/11, ISO 800.
Glory Fades. Nikon D850, Nikon 24-70mm @ 24mm, 1/250s, f/11, ISO 1000.
Death in the Forest. Nikon D850, Nikon 24-70mm @ 28mm, 1/250s, f/11, ISO 1000.

The stump above reminds me of the skeleton skull of a longhorn steer that one might find in a desert setting.

Tree Stump and Aspen Leaves. Nikon D850, Nikon 24-70mm @ 34mm, 1/400s, f/11, ISO 1250.
Fading Away. Nikon D850, Nikon 24-70mm @ 70mm, 1/320s, f/11, ISO 1250.
Old Stump and Aspen Leaves. Nikon D850, Nikon 24-70mm @ 45mm, 1/250s, f/11, ISO 1250.
Colorful Forest Floor. Nikon D850, Nikon 24-70mm @ 70mm, 1/640s, f/11, ISO 1250.

I found a batch of young evergreens among the large Aspens decorated by fallen Aspen leaves.

Evergreens and Aspens. Nikon D850, Nikon 24-70mm @ 58mm, 1/250s, f/11, ISO 1250.
Small Evergreen with Aspen Leaves. Nikon D850, Nikon 24-70mm @ 70mm, 1/200s, f/11, ISO 1250.

This wraps up the mid-day exploration and shoot and I want to remind viewers that the images look much better on the website or on Flickr (if posted there) and on a large screen, rather than in an e-mail or small mobil device screen.

Thanks for following and stay tuned for the final late day shoot,

Ken

Rio Grande National Forest, Colorado, September 26, 2020, Mid-Day, Part 1

After our morning shoot, my son wanted to explore some of the other Forest Service Roads nearby, so we drove along several of those and into higher elevations, where most of the trees had already lost most of their leaves.

It was an overcast day and the dispersed light was good for photographing in the forest.

Aspen Forest, Nikon D850, Nikon 24-70mm @ 24mm, 1/125s, f/11, ISO 500.

With the trees mostly bare, the forest floor was covered in fallen leaves.

A vertical shot with a wide angle, standing to the side of a batch of Aspens, made those trees appear at an angle, rather than vertical.

Aspen Forest, Nikon D850, Nikon 24-70mm @ 24mm, 1/160s, f/11, ISO 500.

I found many stumps of old fallen trees with the roots sticking out at various angles that made interesting subjects.

Gnarly Stump and Fall Leaves. Nikon D850, Nikon 24-70mm @ 45mm, 1/125s, f/11, ISO 500.
Old Leaf Catcher. Nikon D850, Nikon 24-70mm @ 36mm, 1/200s, f/11, ISO 500.

And old logs covered with fallen Aspen leaves.

Fall. Nikon D850, Nikon 24-70mm @ 24mm, 1/320s, f/11, ISO 800.
Stump, Log, Limb, Leaves. Nikon D850, Nikon 24-70mm @ 35mm, 1/200s, f/11, ISO 800.
Death and Renewal. Nikon D850, Nikon 24-70mm @ 24mm, 1/320s, f/11, ISO 800.
The Cradle. Nikon D850, Nikon 24-70mm @ 48mm, 1/160s, f/11, ISO 800.
Weathered Stump and Aspen Leaves. Nikon D850, Nikon 24-70mm @ 38mm, 1/250s, f/11, ISO 800.
Mossy Stump and Aspen Leaves. Nikon D850, Nikon 24-70mm @ 28mm, 1/200s, f/11, ISO 800.

To be continued,

Ken

Rio Grande National Forest, Colorado, September 26, 2020, AM, Part 3

Looking for small details in a vast forest, sometimes one finds natural abstracts.

Stump Abstract, Nikon D850, Nikon 24-70mm @ 70mm, 1/160s, f/11, ISO 5000.

This weathered tree stump with map like contours caught my eye.  Here is a black and white conversion:

Stump B&W, Nikon D850, Nikon 24-70mm @ 70mm, 1/160s, f/11, ISO 5000.

The Aspen leaf in this photo had not quite completed its color transformation, before it fell to rest upon a mossy bed.

Yellow and Green, Nikon D850, Nikon 24-70mm @ 70mm, 1/1250s, f/11, ISO 5000.
Aspen Leaves on Mossy Stump, Nikon D850, Nikon 24-70mm @ 70mm, 1/160s, f/11, ISO 3200.
Forest floor, Nikon D850, Nikon 24-70mm @ 70mm, 1/200s, f/11, ISO 3200.

I prefer to photograph these little details as I find them; but sometimes I’m tempted to move things around.  I did not move anything in the photo above; but I can’t help but wonder, if I should have.  Should I have removed the blade of grass pointing at the Aspen leaf in the middle?  Or does that blade of grass serve as a useful pointer in this photograph?  Would this image be better, if I had cleared away some of the debris around the edges or the scattered leaves, leaving just the single leaf in the center?  What about that little twig resting on the stump to the left of the center leaf?

I have no objection to “posing” a natural scene for artistic purpose and I have removed man made items from natural scenes and I’m quite ok with this.  I’ve occasionally removed a twig, a fallen tree limb or a blade of grass, if I thought those were distracting in a scene. But nature is not perfect, so will “cleaning” a scene make it unreal?  Is unreal ok in this sense?  No one would know the scene has been modified, if not so informed by the photographer.  Is it acceptable to “manufacture” a natural scene?

Red and Green, Nikon D850, Nikon 24-70mm @ 70mm, 1/250s, f/11, ISO 800.
Aspen Leaf, Nikon D850, Nikon 24-70mm @ 65mm, 1/200s, f/11, ISO 800.

And I will wrap up this portion of this morning’s photos with one final forest image, which I just noted this morning was chosen for Flickr’s Explore page.

Forest Shadows, Nikon D850, Nikon 24-70mm @ 24mm, 1/125s, f/11, ISO 800.

Stay tuned for the rest of today’s story,

Ken

Rio Grande National Forest, Colorado, September 26, 2020, AM, Part 2

Aspen Leaf on Stump. Nikon D850, Nikon 24-70mm @ 70mm, 1/250s, f/11, ISO 6400.

This post is a continuation of photography in the Rio Grande National Forest, Colorado during the final morning of photography this September.

Aspen Leaf. Nikon D850, Nikon 24-70mm @ 70mm, 1/125s, f/11, ISO 3200.

Many of my photos from today are of more of the small details seen in a forest.

Forest Spotlight. Nikon D850, Nikon 24-70mm @ 70mm, 1/640s, f/11, ISO 3200.
Aspen Leaves, Nikon D850, Nikon 24-70mm @ 70mm, 1/125s, f/11, ISO 3200.
Aspen Leaves, Nikon D850, Nikon 24-70mm @ 35mm, 1/160s, f/11, ISO 250.
Aspen Leaf on Mossy Log, Nikon D850, Nikon 24-70mm @ 26mm, 1/125s, f/11, ISO 5000.
Aspen Leaf on Mossy Stump, Nikon D850, Nikon 24-70mm @ 70mm, 1/200s, f/11, ISO 5000.
Aspen Leaf on Mossy Log, Nikon D850, Nikon 24-70mm @ 70mm, 1/250s, f/11, ISO 5000.

Stay tuned for mid-day and afternoon of our final day in the Rio Grande National Forest,

Ken

Rio Grande National Forest, Colorado, September 23, 2020, Part 3

I began my late day photography in the Rio Grande National Forest by walking briefly through the forest near my campsite before crossing FSR 380 into the forest on the opposite side of the roadway.

Forest Road. Nikon D850, Nikon 24-70mm @ 42mm, 1/125s, f/11, ISO 200.

The first image here is a shot down FSR 380, just past my campsite.  It is obvious from this image that there are some Aspens in peak fall color, while many others are just beginning to show signs of changing from green to yellow.

Overhead Loop. Nikon D850, Nikon 24-70mm @ 46mm, 1/200s, f/11, ISO 2500.

Aspens tend to grow straight and tall, self pruning as they gain height, but some grow in strange ways, such as this one on the right side in the image above, with the loop at top, where it turns sideways.

Forest Seclusion. Nikon D850, Nikon 24-70mm @ 48mm, 1/320s, f/11, ISO 2500.

Aspen trunks have always fascinated me.  They are usually tall, slender and grayish-white with hints of green and sometimes other colors, with smooth to rough trunks with dark black marks, where limbs have fallen off as the trees matures.

Forest Eyes. Nikon D850, Nikon 24-70mm @ 44mm, 1/160s, f/11, ISO 200.
Forest Light. Nikon D850, Nikon 24-70mm @ 24mm, 1/500s, f/11, ISO 200.

A forest is also a good place to get a starburst effect; but I think the one in the image above is too large and distracting.  A smaller aperture would have given a smaller, sharper starburst.

Leaves and Trunks. Nikon D850, Nikon 24-70mm @ 70mm, 1/200s, f/11, ISO 400.
Signatures. Nikon D850, Nikon 24-70mm @ 70mm, 1/100s, f/11, ISO 800.

I do not know what made the curved traces on the two trees in this image, but they are remarkably like data plots that I interpreted as a part of my work before my retirement.  I posted this image on LinkedIn, where I knew others would see those traces as I did,  and as of this writing it has received 15,275 views, 252 likes and 56 comments.

Under the Canopy. Nikon D850, Nikon 24-70mm @ 70mm, 1/100s, f/11, ISO 800.

The small Aspens in full color beneath the much taller ones were eye-catching.

Under and Over. Nikon D850, Nikon 24-70mm @ 24mm, 1/160s, f/11, ISO 800.
Leaning into Fall. Nikon D850, Nikon 24-70mm @ 60mm, 1/200s, f/11, ISO 800.
Aspen Sky. Nikon D850, Nikon 24-70mm @ 50mm, 1/500s, f/11, ISO 400.

A skyward view beneath the tall Aspens can be awesome, especially if the Aspens are in full fall color, with the yellow leaves set against a blue sky.  There is a full range of color in the images here, since “peak” color is not yet here.

Skyward. Nikon D850, Nikon 24-70mm @ 24mm, 1/200s, f/11, ISO 200.
Joyful. Nikon D850, Nikon 24-70mm @ 24mm, 1/50s, f/11, ISO 320.

Even without the peak color, the aspen trunks with green and yellow foliage and scattered evergreens beneath them provide beautiful fall forest scenes.

To be continued,

Ken

 

Teal Campground Wildflowers, July 2020

After my sunrise shoot and breakfast, I went back out with my 80-400mm lens mounted on my D850 to shoot wildflowers.  I shot handheld, so I used a fast shutter speed and continuous (burst) mode in an effort to get shots with the best focus, as the flowers moved in the breeze and my unsteady hands added to the movement.

Wildflower with Ant. Teal Campground, Colorado. Nikon D850, 1/640s, f/5.6, ISO 640, 80-400mm at 400mm (before crop). Edited in Adobe Lightroom and DxO modules.

One of the interesting things about shooting this way, is that one never knows exactly what one will get as a result.  Later when reviewing and editing the photos one might discover some small details that were not obvious, when shooting from a distance with a big, non-macro, lens.  Wildflowers almost always have numerous insect in or on them.

I discovered a translucent spider in one of my shots, but it was not good enough to present.  Big disappointment, that spider looked really cool.

Fairy Trumpet Wildflower, Teal Campground, Colorado. Nikon D850, 1/500s, f/5.6, ISO 400, 80-400mm at 400mm (before crop). Edited in Adobe Lightroom and DxO modules.

These red trumpet like flowers come out of a bud that is a contrasting purple with a deeper purple at its base.

Wildflower, Teal Campground, Colorado. Nikon D850, 1/640s, f/5.6, ISO 500, 80-400mm at 400mm (before crop). Edited in Adobe Lightroom and DxO modules.
Wildflower, Teal Campground, Colorado. Nikon D850, 1/500s, f/5.6, ISO 400, 80-400mm at 400mm (before crop). Edited in Adobe Lightroom and DxO modules.

There was a heavy dew this morning, but I found capturing the sunlight sparkling in the dew drops was quite difficult with my big lens.  But the flower above with the dew drops looks a bit like some creature with one drop looking like an eye.

Wildflower, Teal Campground, Colorado. Nikon D850, 1/250s, f/5.6, ISO 200, 80-400mm at 300mm (before crop). Edited in Adobe Lightroom and DxO modules.

Some flowers were obviously past their prime.

Leaves, Teal Campground, Colorado. Nikon D850, 1/500s, f/5.6, ISO 800, 80-400mm at 400mm (before crop). Edited in Adobe Lightroom and DxO modules.

These curly, fuzzy, reddish leaves were on low growing plants and difficult to get a good close up of.  I had to crop in very closely to get this image.

Wildflower, Teal Campground, Colorado. Nikon D850, 1/6400s, f/5.6, ISO 640, 80-400mm at 400mm (before crop). Edited in Adobe Lightroom and DxO modules.
Fairy Trumpet Wildflowers, Teal Campground, Colorado. Nikon D850, 1/640s, f/5.6, ISO 500, 80-400mm at 400mm (before crop). Edited in Adobe Lightroom and DxO modules.
Wildflower, Teal Campground, Colorado. Nikon D850, 1/800s, f/6.3, ISO 1000, 80-400mm at 400mm (before crop). Edited in Adobe Lightroom and DxO modules.

I shot many images of the plant above, initially of those just coming out of the ground without the cone flower pod at the top of an eventually tall plant.  The leaves of these are very fuzzy, and with the many early morning dew drops, all of the images look out of focus; although, I’m sure not all of them could have been out of focus.  Nonetheless, I am refraining from posting most of those fuzzy looking images.  Those yellow bulb like features eventually develop into yellow flowers, but I did not get good images of those.

Wildflowers, Teal Campground, Colorado. Nikon D850, 1/500s, f/6.3, ISO 1000, 80-400mm at 400mm (before crop). Edited in Adobe Lightroom and DxO modules.

I really like these tall stalks with the many blue to purple flowers with the green to red stems.  It appears that ants like these, too.

Wildflowers, Teal Campground, Colorado. Nikon D850, 1/640s, f/6.3, ISO 1000, 80-400mm at 400mm (before crop). Edited in Adobe Lightroom and DxO modules.
Spent Wildflower Trio, Teal Campground, Colorado. Nikon D850, 1/400s, f/5.6, ISO 400, 80-400mm at 400mm (before crop). Edited in Adobe Lightroom and DxO modules.
Wildflowers, Teal Campground, Colorado. Nikon D850, 1/500s, f/5.6, ISO 640, 80-400mm at 400mm (before crop). Edited in Adobe Lightroom and DxO modules.
Thistle, Teal Campground, Colorado. Nikon D850, 1/800s, f/6.3, ISO 1250, 80-400mm at 400mm (before crop). Edited in Adobe Lightroom and DxO modules.

Thistles always make good subjects for wildflower photos with their long stems and variations in physical features as they develop beautiful purple flowers then fade away.

Thistles, Teal Campground, Colorado. Nikon D850, 1/500s, f/5.6, ISO 1000, 80-400mm at 80mm (before crop). Edited in Adobe Lightroom and DxO modules.
Thistle Progression, Teal Campground, Colorado. Nikon D850, 1/320s, f/5.6, ISO 400, 80-400mm at 220mm (before crop). Edited in Adobe Lightroom and DxO modules.
Thistle Flower, Teal Campground, Colorado. Nikon D850, 1/320s, f/5.6, ISO 400, 80-400mm at 220mm (before crop). Edited in Adobe Lightroom and DxO modules.

The upside and downside to photographing wildflowers is that there are infinitely many ways to capture them and maybe posts on such subjects get a bit long and monotonous.

Note that I have not identified most of these flowers.  Not that I did not try for awhile.  It is just too frustrating to do so.  I’ve yet to find a good online wildflower reference that is easy to use.  Anyway, I hope you enjoy the images and you can ignore my blathering about them.

Ken