Rio Grande National Forest, Colorado, September 23, 2020, Part 3

I began my late day photography in the Rio Grande National Forest by walking briefly through the forest near my campsite before crossing FSR 380 into the forest on the opposite side of the roadway.

Forest Road. Nikon D850, Nikon 24-70mm @ 42mm, 1/125s, f/11, ISO 200.

The first image here is a shot down FSR 380, just past my campsite.  It is obvious from this image that there are some Aspens in peak fall color, while many others are just beginning to show signs of changing from green to yellow.

Overhead Loop. Nikon D850, Nikon 24-70mm @ 46mm, 1/200s, f/11, ISO 2500.

Aspens tend to grow straight and tall, self pruning as they gain height, but some grow in strange ways, such as this one on the right side in the image above, with the loop at top, where it turns sideways.

Forest Seclusion. Nikon D850, Nikon 24-70mm @ 48mm, 1/320s, f/11, ISO 2500.

Aspen trunks have always fascinated me.  They are usually tall, slender and grayish-white with hints of green and sometimes other colors, with smooth to rough trunks with dark black marks, where limbs have fallen off as the trees matures.

Forest Eyes. Nikon D850, Nikon 24-70mm @ 44mm, 1/160s, f/11, ISO 200.
Forest Light. Nikon D850, Nikon 24-70mm @ 24mm, 1/500s, f/11, ISO 200.

A forest is also a good place to get a starburst effect; but I think the one in the image above is too large and distracting.  A smaller aperture would have given a smaller, sharper starburst.

Leaves and Trunks. Nikon D850, Nikon 24-70mm @ 70mm, 1/200s, f/11, ISO 400.
Signatures. Nikon D850, Nikon 24-70mm @ 70mm, 1/100s, f/11, ISO 800.

I do not know what made the curved traces on the two trees in this image, but they are remarkably like data plots that I interpreted as a part of my work before my retirement.  I posted this image on LinkedIn, where I knew others would see those traces as I did,  and as of this writing it has received 15,275 views, 252 likes and 56 comments.

Under the Canopy. Nikon D850, Nikon 24-70mm @ 70mm, 1/100s, f/11, ISO 800.

The small Aspens in full color beneath the much taller ones were eye-catching.

Under and Over. Nikon D850, Nikon 24-70mm @ 24mm, 1/160s, f/11, ISO 800.
Leaning into Fall. Nikon D850, Nikon 24-70mm @ 60mm, 1/200s, f/11, ISO 800.
Aspen Sky. Nikon D850, Nikon 24-70mm @ 50mm, 1/500s, f/11, ISO 400.

A skyward view beneath the tall Aspens can be awesome, especially if the Aspens are in full fall color, with the yellow leaves set against a blue sky.  There is a full range of color in the images here, since “peak” color is not yet here.

Skyward. Nikon D850, Nikon 24-70mm @ 24mm, 1/200s, f/11, ISO 200.
Joyful. Nikon D850, Nikon 24-70mm @ 24mm, 1/50s, f/11, ISO 320.

Even without the peak color, the aspen trunks with green and yellow foliage and scattered evergreens beneath them provide beautiful fall forest scenes.

To be continued,

Ken

 

Rio Grande National Forest, September 21, 2020, Part 1

After breakfast this morning, I decided to drive on FSR 250 back towards Platoro Reservoir.  I found a convenient pull out and entered the forest on the south side of the roadway.  I wandered around in the forest shooting photographs in the mid-morning light.

Performance Bow. Nikon D850, Nikon 14-24mm @ 24mm, 1/250s, f/16, ISO 200.

The curved trunk Aspen in the photograph above appeared to be bowing to acknowledge its fall performance.

Forest Light. Nikon D850, Nikon 14-24mm @ 22mm, 1/250s, f/16, ISO 200.

Forest are always good places to get a starburst effect through the trees, so I had to capture a few of these with the fall color.

Split. Nikon D850, Nikon 14-24mm @ 24mm, 1/125s, f/16, ISO 400.

This unfortunate Aspen shows damage from the violent storm that blew through here in early September.  Readers might also note many downed branches in some of my photographs in this area.

Quartet. Nikon D850, Nikon 14-24mm @ 24mm, 1/200s, f/16, ISO 200.

The tall, slender Aspen trunks always make good subjects.  It is not unusual to find a group of Aspens growing in a clump.

As I worked my way downhill from my parking place, I came out of this Aspen grove at a portion of the same road that had switched back below the hill.

Mountain Fall. Nikon D850, Nikon 14-24mm @ 24mm, 1/125s, f/16, ISO 125.

There is a road sign in the bottom left of this image, indicating that I was very near the junction of two forest service roads.

At the edge of the forested area I found a large “hump back” Aspen.

Deformed Aspen. Nikon D850, Nikon 14-24mm @ 14mm, 1/250s, f/16, ISO 200.

Rather than walk back up the hill to my vehicle, I decided to walk along the roadway.

Forest Road. Nikon D850, Nikon 14-24mm @ 24mm, 1/200s, f/16, ISO 200.

Trees near the roadways are susceptible to having graffiti carved into them.

Tree of Declaration. Nikon D850, Nikon 14-24mm @ 24mm, 1/80s, f/16, ISO 125.

The roadway made a great leading line, so I used that in a number of images as I worked my way back towards my vehicle.

Forest Road. Nikon D850, Nikon 14-24mm @ 14mm, 1/160s, f/16, ISO 125.

The rest of the story later,

Ken