2018 Colorado Fall Color Road Trip – Day 3 – Part 1

Arising early on September 20, after coffee and a light breakfast, I set out in the Sportsmobile to select an advantageous spot for early morning photos along Owl Creek Pass Road just a short distance from my campsite.  I drove back and forth along one particular interval on the road, before picking what looked like a suitable place, gathered my selected gear for the morning shoot and set out across an open range pasture towards the drainage between the pasture and the mountains to the east.

It was a very cloudy morning, after a rainy night, but not completely overcast as most of the previous day had been and the rain was gone, so I had some hope of getting some early morning light highlighting the mountainsides nearby.  It was a bit dicey, as all of the clouds were moving towards the light from the sun, which was still hidden behind a mountainside to the east of the roadway.

As I walked across the open range pasture, I recalled the statement credited to Ansel Adams, “the secret to getting a good photograph is knowing where to stand”.  Photographers are always going to extremes to find the best place to stand and sometimes get into uncomfortable or precarious positions in doing so.  This morning I noted that a corollary to Adam’s statement had to be “knowing where not to stand”, as I carefully selected each step to avoid the numerous cow patties in the pasture.  There were so many that I had to be very careful, not only where I stepped, but where I set up the tripod to avoid sticking one of its legs into a cow patty.

I wandered around in the pasture, looking for various possibilities for suitable places from which to shoot.  The broad drainage area between the mountainside to the west and the pasture to the east of it was filled with scrubby vegetation, which would make for a messy foreground, no matter where I stood with my 14-24mm wide angle lens.  There was no time to scout any other area prior to sunrise, so I had to make the best of this area.

Pre-sunrise test shot. The clouds are adding drama to the sky, but might prevent early morning light on the mountainside. Nikon D850, Nikon 14-24mm at 24mm, f/11, 1/3s, ISO 64.
The clouds moving to the east might totally obstruct the early morning sun rays. Nikon D850, Nikon 14-24mm at 24mm, f/11, 0.8s, ISO 64.
Pre-sunrise, early morning clouds and mist or campfire smoke in the valley. Nikon D850, Nikon 14-24mm at 24mm, f/11, 0.4s, ISO 64.
It is getting close to sunrise and the clouds are still a major concern. Nikon D850, Nikon 14-24mm at 24mm, f/11, 0.8s, ISO 64.
Nice clouds, but I am becoming more concerned about getting good early morning light on the mountainside. Nikon D850, Nikon 14-24mm at 24mm, f/11, 0.8s, ISO 64.
Pre-sunrise. I kept seeing either mist rising or camp fire smoke wafting in the valley, but I was never ready to shoot, when it looked the best. Nikon D850, Nikon 14-24mm at 24mm, f/11, 0.4s, ISO 64.
A crop of the previous shot, better showing the mist or campfire smoke in the valley.
Surprise! Even with the heavy clouds, sunlight is beginning to highlight the mountainside! Nikon D850, Nikon 14-24mm at 24mm, f/11, 1/6s, ISO 64.
A crop of the previous shot.
I’m liking the clouds thinning and the ribbon of light highlighting portions of the mountainside. Nikon D850, Nikon 14-24mm at 24mm, f/11, 1/6s, ISO 64.
A crop of a photo very much the same as the previous one, leaving the dramatic sky and emphasizing the diagonal mountainside slope with the streak of light along it.
Rotating to the left, I get this view with a thin ribbon of light along the mountainside. Nikon D850, Nikon 14-24mm at 24mm, f/11, 1/10s, ISO 64.
A crop of the previous shot, emphasizing the clouds and the thin ribbon of light along the mountainside.
With the light now highlighting the vegetation in the wash, I had to get a shot with the mud splattered Sportsmobile in the foreground. Nikon D850, Nikon 14-24mm at 24mm, f/11, 1/8s, ISO 64.
This is entirely about the clouds sweeping overhead. I just happened to note that the thinning clouds, revealing the blue sky background, made the sky look very attractive. Nikon D850, Nikon 14-24mm at 14mm, f/11, 1/125s, ISO 640.

This was, perhaps not the best morning nor the best location for sunrise shots, but the views were quite good, even though I might not have captured the scenes as well as I would have liked.

Part 2 of this post will continue with mid-morning shots and experimentation with tilt/shift lenses.

Until next time, best wishes to you all,

Ken