Capitol Reef National Park, Utah, March 2022, Part 21 – Tree Creature

Tree Creature

As I was shooting the triple arch of the previous post, I noted an old tree on the sandy ridge below the arch.  Readers will already know that I have a fondness for  gnarly old trees.

This one reminded me of a weird looking creature crawling along the ground.  After taking the photo above, I noted some interesting features of the tree that reinforced my impression that this looked like an unusual creature.

Tree Creature Eyes

This feature looks like eyes of a mysterious creature.

Tree Creature Eyes – Black and White Version
Tree Creature Face

Eyes, nose and mouth of a tree creature.

Tree Creature Face, Black and White Version

Ken

Rio Grande National Forest, Colorado, September 24, 2020, Part 2

September 24, 2020, AM, continuing my wandering around in the Rio Grande National Forest, Colorado:

Fallen. Nikon D850, Nikon 24-70mm @ 24mm, 1/125s, f/11, ISO 640.
Forest Clutter. Nikon D850, Nikon 24-70mm @ 40mm, 1/160s, f/11, ISO 640.

For landscape images it is best to make simple images with no distracting clutter.  In a forest it is virtually impossible to avoid clutter.  Trees and grasses grow in a mass of seeming disorder.  Limbs and twigs stick out everywhere, the forest floor is covered with all kinds of natural debris, grasses and low growing plants, fallen trees and limbs.  Still, I try to carefully consider what is in my composition.  Sometimes I can exclude something that I consider particularly distracting, many times I just have to accept what is there and try to compose so that a viewer can get the intended message.

Star Burst Aspens. Nikon D850, Nikon 24-70mm @ 26mm, 1/200s, f/11, ISO 200.

Sometimes, isolating details, either via zooming in or cropping in post processing, works to eliminate clutter, but context may be lacking, if that matters.

Aspen Leaves. Nikon D850, Nikon 24-70mm @ 70mm, 1/100s, f/11, ISO 250
Cradled. Nikon D850, Nikon 24-70mm @ 70mm, 1/80s, f/11, ISO 500.
Forest Floor and Shadows. Nikon D850, Nikon 24-70mm @ 24mm, 1/100s, f/11, ISO 250.

The chaotic nature of a forest may be the message.

Geometric Shadows. Nikon D850, Nikon 24-70mm @ 24mm, 1/125s, f/11, ISO 500.

Sometimes there appears to be a natural geometry within the chaos or just a simple highlight that catches the eye.

Aspen Twig. Nikon D850, Nikon 24-70mm @ 70mm, 1/2000s, f/11, ISO 400.

I do not claim to be an expert or accomplished photographer, so maybe I need to move on now.

Until next time stay well and safe,

Ken

 

Yellowstone National Park 1

Yellowstone National Park is a truly amazing and one of a kind natural wonder.  I’ve only passed through it briefly on a couple of occasions, when the primary objective was Glacier National Park in Montana.  Yellowstone and Grand Teton were in the road travel path, so passing through those, it made perfect sense to utilize a stop over at one or both of those parks on the way to Glacier and back.

Spending only a day or two in this very large park in no way allows one to see all that it has to offer; but it is possible to see most of the commonly visited sites.  In addition to the really big features and geysers, there are small features that are interesting and hardly ever mentioned and I expect not observed closely by most visitors.

This post is about one of those minor features, which can be observed from the safety of board walks.  There are areas where the hot water and steam escaping from underground creates mud puddles that are dynamically pulsing, but in a much smaller way than the eruptions of the major geysers.

It is fun to watch these tiny eruptions of mud spewing just a few inches into the air.  The expelled mud takes on random, fleeting, geometric shapes.  These shapes can be captured in photographs, if one has patience to spend a few minutes observing and learning how to time shots.  I think the best approach is to watch and anticipate the eruptions and shoot in burst (continuous) mode with a fast shutter speed, capturing a quick series of images during the eruption.  Thumbing through the images one may find really interesting and intriguing shapes.

Here are a couple of the best ones I managed to capture in the few minutes I had to observe and shoot.

Mud Geyser. This eruption produced a linear series of geometric shapes.
Mud Alien. This small mud eruption took on this whimsical shape that appears to have an alien looking face.

These small features are so fleeting that one usually does not have time to mentally process the shapes as they appear and evolve so quickly, but photographs freeze the shapes, allowing for a greater appreciation of natures temporary artwork.

So, if you get a chance to visit Yellowstone, enjoy the big geysers and colorful pools, but don’t forget to observe the smaller events.

Ken