We went into the forest that surrounded our campsite again this morning. It is getting more difficult to find scenes that are significantly different than others that have already been photographed.
I’m trying to give more attention to the small, intimate details in the forest.
Aspen Leaf on Forest Floor. Nikon D850, Nikon 24-70mm @ 70mm, 1/200s, f/11, ISO 2000.Aspen Leaf in Evergreen. Nikon D850, Nikon 24-70mm @ 70mm, 1/125s, f/11, ISO 2500.Aspen Leaf on Stump. Nikon D850, Nikon 24-70mm @ 70mm, 1/125s, f/11, ISO 2500.
Occasionally, I find stumps that indicate a tree has been purposely cut down. I do not know why, but I suspect they were felled by hunters to make their hunting blinds, which I have seen scattered around the forest.
I had not explored much of the forest on the west side of the utility right of way, where I was camped. So today, I decided to continue into that portion of the forest for a while to finish my late day shoot.
In the above image, I was actually trying to capture the highlights along a barbed wire fence. The intended images did not come out very well, but in this one I caught a couple of falling leaves, which are blurred due to the shutter speed not being fast enough to freeze their motion.
I will confess that I modified the scene above by adding the yellow Aspen leaf on the upper right side. I wish I had removed the twig on the left side.
The image above is my favorite in this portion of this post. I really like the late day shadows and highlights on the trunks and the streaks of light on the forest floor.
I found an Aspen tree trunk not too far from another camping area, where hunters were camped, with this message on it. I promise I did not do this and I do not know Beth!
I stayed around my campsite in the afternoon, waiting for my son and his wife to arrive from the Denver area. To occupy some of my time I sat outdoors, enjoying the mild weather, reading on my Kindle.
Rio Grande National Forest Campsite. iPhone photograph.
I kept seeing a curious chipmunk scampering about the campsite. It even jumped onto the arm of my camp chair, startling me.
A curious chipmunk. iPhone photograph.
At one point, I noticed the chipmunk on the side step below the side door of my vehicle, peering inside. This immediately alarmed me and I jumped up to shoo it away. Even though I had the bug screen zipped closed, I had neglected to completely fasten the bottom velcro seal. It was too late. The chipmunk entered my vehicle. I went in to try to find it and encourage it to go back outside.
There are plenty of places inside my vehicle for such a small animal to hide. While I was searching for the chipmunk, my son and DIL arrived. I left the vehicle to greet them, after which I continued to search for the chipmunk. I never found the chipmunk and I feared it pouncing upon me as I lay sleeping at night. Even if the chipmunk did not do harm itself, the shock of being pounced upon in the middle of the night might have caused a physical reaction resulting in my harming myself. I was also concerned it might hitch a ride back to my home or die inside the vehicle. To my relief, it apparently found its way back into the great outdoors of Colorado.
Late in the afternoon, we walked into the forest for an afternoon shoot.
Our wandering through the forest eventually led us to an open area on a steep slope, above another portion of the forest below. I saw streaks of light highlighting the grasses, similar to those I had shot, without great success, the previous day. But today I managed to get a much better image, with the image below, my favorite from this afternoon’s shoot. I cropped the image to remove the tops of trees and some sky in the wide angle image that distracted from the main subject, a beam of light, cutting diagonally across the image and ending at a small Aspen.
Leaving this area, we walked back towards the utility roadway. Until I looked closely at the image below, I had not realized that it included a portion of my DIL near the bottom left. I was shooting up from a slope and she was just on the other side of a rise.
Aspens and Late Day Starburst. Nikon D850, Nikon 14-24mm @ 24mm (before crop), 1/200s, f/11, ISO 800.Aspens and Starburst. Nikon D850, Nikon 14-24mm @ 24mm, 1/200s, f/11, ISO 200.
I shot the image above from the utility right of way, looking into the forest to the west of the roadway.
I will cover the last portion of this shoot in the next blog.
I continued to wander about in a portion of the Rio Grande National Forest in the early morning looking for whatever caught my eye, attempting to get a few decent photographs.
Evergreen surrounded by Aspens. Nikon D850, Nikon 14-24mm @ 24mm, 1/400s, f/11, ISO 800.
I made a couple of compositions with this evergreen surrounded by the tall Aspens, but I do not think that the resulting images convey what I was seeing or feeling here.
The same is true of this photograph of the remnant of a burned tree trunk. I tried multiple compositions here and I just could not capture the scene the way it moved me. I think the lack of light on the burned out tree trunk made it too difficult to capture the emotions this stirred in me as I viewed it; although, this image does look better when viewed on a large screen.
A little later, I came back to the burned out tree trunk and shot it from a different point of view and got what I think is a better image with it surrounded by fallen, weathered Aspen trunks.
After my morning shoot near my campsite, I drove westerly along FSR 380. There were several possible campsites that I had noted from passing through this route earlier in the week. I drove past the first couple of sites to a large open unrestricted camping area that seemed to be popular with hunters. There were maybe a few places in that site that might have worked, but it was hilly, uneven, partially muddy and crowded with hunters. So I backtracked to the only other suitable site in a utility right of way.
Rio Grande National Forest Campsite. iPhone photograph.
There was plenty of room here for my vehicle and my son and DIL’s vehicle and trailer. They were planning to meet me here tomorrow. So I put out a couple of cones to mark an area for them, to discourage any other campers or hunters from moving in.
The view from the Sportsmobile awning window. iPhone photograph.
As I was mounting my solar panels on the top of my vehicle, a cowboy on horseback, herding a couple of cows, approached from a little side road into the forest. He stopped to ask if I had seen any cattle nearby. When I said no, he then asked if I was a hunter. When I told him I was here only for photography, he told me about one of his relatives that was a professional photographer who traveled around the world making photographs.
After the cowboy moved on, I noted a few passing vehicles slow to look over my campsite, then move on. Sometime later a pickup truck pulled up next to me, the driver asking if I was staying or leaving. He was a hunter looking for a campsite for he and his son, who was to meet him later. We chatted for awhile, then he went a short distance down the side road and set up his camp there. He stopped by again sometime later to chat again and his son happened to drive up as he was there. They soon moved on to their campsite and I did not see them again.
Late in the afternoon, I took my camera into the woods to explore the area.
I had some difficult getting good images during this outing. Part of this might have been due to my thinking that my photographs in the forest were becoming too much alike and in trying to do something different, I was just not very successful. When I got around to reviewing my images from this afternoon, I initially passed over nearly all of them, considering them not worthy of processing. Later, I decided to revisit those images, taking a closer look at each. I still rejected most of them, but I salvaged a few mediocre ones.
Forest Light, Nikon D850, Nikon 14-24mm @24mm, 1/125s, f/11, ISO 200.In the Forest, Nikon D850, Nikon 14-24mm @24mm, 1/160s, f/11, ISO 200.In the Forest, Nikon D850, Nikon 14-24mm @14mm (before crop), 1/125s, f/11, ISO 200.Fallen Aspen leaves on old mossy log.
I walked from my campsite a little after 7AM, going down the utility right of way for a short distance, then ventured into the forest for a morning shoot. A good thing about shooting in a fall forest is that one does not have to be in the woods before daybreak, unless one has a definite location in mind that requires one to be on location at a specific time. It seems that the morning light in a forest can be good from early morning until almost noon, or even later if it is overcast. So just wandering about in the forest looking for photographic opportunities, getting a later than pre-sunrise start is fine.
I’m making so many images of the tree trunks and wide angle forest views, that I’m again thinking that these kind of photographs are getting redundant, so I spend more time looking for little details, like the small, colorful plants on the forest floor that are highlighted by morning sunbeams filtering through the forest.
Fall Forest Floor. Nikon D850, Nikon 14-24mm @ 24mm (before crop), 1/125s, f/11, ISO 1600.
Still I can’t resist getting starbursts (this one is too large and distracting) through the tree trunks
For landscape images it is best to make simple images with no distracting clutter. In a forest it is virtually impossible to avoid clutter. Trees and grasses grow in a mass of seeming disorder. Limbs and twigs stick out everywhere, the forest floor is covered with all kinds of natural debris, grasses and low growing plants, fallen trees and limbs. Still, I try to carefully consider what is in my composition. Sometimes I can exclude something that I consider particularly distracting, many times I just have to accept what is there and try to compose so that a viewer can get the intended message.
Star Burst Aspens. Nikon D850, Nikon 24-70mm @ 26mm, 1/200s, f/11, ISO 200.
Sometimes, isolating details, either via zooming in or cropping in post processing, works to eliminate clutter, but context may be lacking, if that matters.
Aspen Leaves. Nikon D850, Nikon 24-70mm @ 70mm, 1/100s, f/11, ISO 250Cradled. Nikon D850, Nikon 24-70mm @ 70mm, 1/80s, f/11, ISO 500.Forest Floor and Shadows. Nikon D850, Nikon 24-70mm @ 24mm, 1/100s, f/11, ISO 250.
The chaotic nature of a forest may be the message.
I ventured back into the forest on the morning of September 24, 2020, initially taking a similar path to the route I had taken the previous afternoon, wanting to see how the light and forest scenes would differ in the morning light.
Sometimes I photographed essentially the same scenes, which looked a little different with the light coming from a different direction.
Aspen Trunks and Shadows. Nikon D850, Nikon 24-70mm @ 34mm, 1/8s, f/11, ISO 200.
There is something magical about being in a forest with sunlight filtering through the leaves and the tree trunks creating bands of shadow and light and
Evergreen with Aspen Leaves. Nikon D850, Nikon 24-70mm @ 46mm, 1/125s, f/11, ISO 2500.Forest Light. Nikon D850, Nikon 24-70mm @ 48mm, 1/400s, f/11, ISO 2500.
fallen tree trunks creating an array of geometrical shapes.
With all the big trees, back lighted leaves and starburst effects, it is easy to overlook the myriad small details. There are often interesting little things that make good images.
Aspen Leaf on Log. Nikon D850, Nikon 24-70mm @ 70mm, 1/100s, f/11, ISO 2000.Aspen Leaf on Log. Nikon D850, Nikon 24-70mm @ 70mm, 1/160s, f/11, ISO 2000.
The juxtaposition of color and texture in small items can be as intriguing as a wide angle image of the forest.
Grain and Veins. Nikon D850, Nikon 24-70mm @ 70mm, 1/250s, f/11, ISO 200.
Autumn is my favorite time of the year. I like the colors of fall and the crispness and smell of fall. Yet it is also a strong reminder of our mortality. I’m wondering, do we become more colorful in our autumn or just wrinkled and weathered?
In an opening in the forest on a steep slope, I photographed the distant mountainsides below clouds that provided shadows and moving spotlights on the massive forest.
Much of the mountainsides were covered with beetle killed evergreens. A scattering of color within the mass of dead, grey trees caught my eye as they were highlighted by light breaking through the cloud cover.
There are a few green evergreens and a scattering of Aspens within the mass of dead trees. I wonder how this will evolve with time. Will Aspens replace the evergreens or will the evergreens somehow evolve to resist the beetles?
It was getting late in the day, there would be no golden hour light here due to mountains blocking the late day light and in any case I did not want to try to find my way through the forest in the dark, hiking back to my campsite. So I began to work my way back up the slope. Taking my time and stopping whenever I thought I might get an interest photo.
I continued my stroll through the Rio Grande National Forest just off of US 380, hoping to get interesting photographs within the forest.
Near and Far. Nikon D850, Nikon 24-70mm @ 40mm, 1/500s, f/11, ISO 640.
I shot the image above with the near trees on one side of FSR 380 and the far trees on the far side of the roadway. There was increasing cloudiness, which I hoped did not indicate a late day rain storm.
Aspen Trunks and Evergreens. Nikon D850, Nikon 24-70mm @ 70mm, 1/3s, f/11, ISO 64.
One can find an infinite number of ways to shoot the Aspen trunks, which is both good and bad. When is enough, enough? And when do these images become so repetitive as to be boring? Is there really anything unique in these images?
A few recently fallen trees broke up the vertical pattern of the tree trunks.
Bent and Broken. Nikon D850, Nikon 24-70mm @ 28mm, 1/125s, f/11, ISO 500.Diverse Forest. Nikon D850, Nikon 24-70mm @ 31mm, 1/125s, f/11, ISO 500.Trunk Line. Nikon D850, Nikon 24-70mm @ 70mm, 1/125s, f/11, ISO 1600.
Even within a dense forest, I noted that sometimes by standing in the right place, I could see an almost linear line of tree trunks. Of course, I had to crop the wide angle view to show what caught my eye.
Early Fall Aspen Forest. Nikon D850, Nikon 24-70mm @ 24mm, 1/125s, f/11, ISO 1600.
As I worked my way around the edge of a high ridge in the forest, I began to find more fallen trees, which made various geometric patterns on or near the forest floor.
Standing and Fallen. Nikon D850, Nikon 24-24mm @ 70mm, 1/160s, f/11, ISO 1600.Forest Floor. Nikon D850, Nikon 24-70mm @ 24mm, 1/125s, f/11, ISO 2000.
After few more minutes of walking from the end of the ridge I came to an opening in the forest along a steep slope with good views of forested mountainsides. I could tell that the sun would drop below a mountain side before the golden hour, but the moving clouds resulted in highlights of the distant fall color as the shadows moved across the mountainsides.
