One morning before going out for the day, I walked just less than a mile down the country roadway that went past our cabin. I knew there was an old barn in the neighborhood that I had passed by many times and never taken time to photograph.
After conversion to black and white, I use selective colorization to bring out a little of the fall color in the nearby trees and a little color on the barn.
We had friends with us for the first week of this fall visit to Indiana. I wanted to show them at least one covered bridge, since they had never seen one. They did not want to spend hours in a vehicle to get to an area with lots of covered bridges, but there was one small covered bridge just a few minutes away, one that I had seen on a previous visit to this area.
This bridge is located along a narrow country roadway, where there is limited space to pull over and turn around. Our friends were driving today. I routed them to the bridge along the best part of the access roadway, but turning around to get back out was a challenge for their minivan. Continuing without turning around would have presented other problems, if another vehicle came along going in the opposite direction.
The third stop on day two of photographing Indiana covered bridges was the Dick Huffman Bridge. I’m including a link to another bloggers site for his coverage of this bridge, rather than my usual links to an official government site.
As I was making my first shots of this bridge a number of vehicles crossed at intermittent intervals, stirring up dust, which I had to wait to clear. One pickup truck stopped just passed the bridge. The driver got out and walked towards the bridge. As he passed, he said he was going to check the water flow. I thought maybe he was doing some sort of official survey. As I walked back through the bridge and was passing him, he explained that the following day was the youth duck hunting season opening and that he was taking his son duck hunting by putting a boat in at another location and floating down the creek. He had hopped to not have to paddle the boat, but the flow looked very minimal, so he was going to have to paddle down the creek.
The bridge is not really leaning as much as it appears in the above photograph. Shooting from this angle the wide angle distortion accentuates the tilt and I could not remove it without tilting the roadway in the process.
Back on the other side of the bridge, I walked through the wooded area bordering the creek and found a way to get down into the creek. It was a little muddy along the creek edge, but I managed to avoid the worst of the mud. However, I had a limited area in which I could move around in the muddy channel, unless I wanted to get really muddy.
The log makes a good leading line object, but I wish I could have gotten closer to the bridge.
The second bridge I visited in my second day of photographing Indiana covered bridges in October, 2019 was Houck Bridge. Although Houck Bridge seems to be in very good condition, it has been by passed and is now closed to traffic.
One can still walk through the bridge, but not drive through it. Access to the creek level is most easily gained from the west side. There is also a sizable parking lot on the west side of the bridge, so I am guessing that this bridge is now set up as a prime tourist attraction. A couple of people did come and go, while I was here.
The interior photograph is an HDR image made from multiple exposures.
After a day of other activities, I took another afternoon to visit more covered bridges in an area east of Indianapolis, Indiana. I started at Oakalla Bridge, just south of the last bridge (Dunbar) that I had visited during my first day of shooting covered bridges.
I think most of the covered bridges have some graffiti on or around them and Oakalla Bridge seems to be popular with those who like to mark things with graffiti. I saw some evidence of graffiti being painted over on the exterior of the bridge and other graffiti in the interior.
It is also easy to get down into the creek channel from one side of the bridge. The long log in the creek below the bridge even has graffiti on it.
There was plenty of room to move around on the wide sandy bank on one side of the bridge. I made numerous images from this area, but in the end, I only chose a couple of those as most representative of the bridge and its setting to include in this post.
The last bridge that I got to late in the afternoon of my first day of photographing Indiana covered bridges was the Dunbar Bridge. There was more traffic across this bridge than any of the other bridges that I had photographed earlier in the day, maybe because it was late in the day and people were going home after their work day was over.
Wide angle lens distortion, especially when shooting from one side at an angle to the plane of the bridge, makes these bridges appear to be leaning to one side. Some bridges were actually leaning a little and/or the sides were not vertical, so the distortion exaggerates the lean or angle. I try to correct this in post processing, but sometimes it is not possible to completely correct the distortion.
To get to the creek for a side image, I had to walk beneath the bridge from the only easily accessible route. This appears to be a popular place for young people, judging by the graffiti and many footprints in the sand. Looking closely at the writing on the left hand side beam one can see a message from Missy proclaiming that she loves Ken. I promise that I did not write that or anything else on the bridge.
The side view of the bridge with the creek, bridge and tree reflections in the creek and the sandy shore line with the early fall foliage in the background was quite good.
The dim late day light required longer exposures, showing the motion in the clouds and probably blurring of the tree foliage moving in the wind.
Some of these images have embedded links to higher resolution images on Flickr. Viewing the images there will let one see more detail.
This bridge got its name from a large boulder in the creek that moved, when the current was strong. That boulder was destroyed, as it was deemed a threat to the bridge.
Rolling Stone is a short, single span bridge in an attractive setting.
I shot multiple exposures of the inside, then combined those to create HDR images.
The engineering and construction of these bridges is remarkable. These were designed to last for many years, although these do require maintenance, mostly to the exterior, from time to time.
I was able to get down to the creek and shoot from several viewpoints along the creek shoreline.
The second stop during my first day of photographing covered bridges in Putnam County, Indiana was at the Pine Bluff Bridge.
The setting around Pine Bluff is more attractive than that around Cornstalk (see previous post) and this will be a great place to shoot, when the fall colors peak.
I found a way to get down to the creek, where I could walk along the edge of the creek and beneath the bridge to shoot it from both sides.
I experimented with the DxO Nik Selective Colorization of a monochrome image with a couple of the photographs taken of this bridge, bringing out the red color of the bridge after converting the images to monochrome.
The photo above is my favorite of this bridge with the curved road leading to it.
The final image here is looking back from near the bridge down the roadway leading to the bridge. I know this will be a great place to try to return to another time, when the fall colors are at their peak.
Prior to visiting Indiana in October, 2019, I had never realized that Indiana had so many covered bridges. I have seen numerous covered bridges in the New England states, which seem to get lots of attention, but I had never heard much about covered bridges anywhere else.
Part of the reason for our trip to Indiana was to attend a number of the Covered Bridge Festivals in an area west of Indianapolis. These are very popular events, drawing many locals and others from far away. Local organizers of these festivals provide maps with suggested routes to bridges nearby the festival sites.
I’ve always been intrigued by old covered, wood bridges, most of which were built in the 1800s to early 1900s, so I knew I wanted to try photographing as many as my time would allow. I was not at all sure about how or when to best photograph the local bridges, having never visited any of them and having no idea of the setting, nor the lighting at various times of the day.
So one afternoon, with one of the maps to a few bridges, I headed to the northern most bridge on the map, planning to work my way south from there, visiting as many bridges as possible before dark.
Th first image is an HDR made from multiple exposures, while the second is a single exposure. The exterior is brightly lit by the sunlight, but the interior is in shadow, so no single exposure will capture details in both the interior and exterior. If the vegetation looks a bit blurred in the HDR, it is because it was a very windy day and anything moving between images complicates merging multiple exposures. I’ve tried to minimize this “ghosting” effect, but I’m sure some remains. These image look similar, but note that the interior is brighter in the HDR with more detail visible and the sky is not over exposed as it is in the single image. The colors are also a little different between the images and maybe I should have paid more attention to the HDR color editing. I think the single exposure colors are more accurate.
Shooting the dark interior with bright light coming through the top, side vents and from the opposite end of the bridge, also required resorting to HDR. Even so, the exterior is over exposed.
In the second interior image, I minimized the effect of the exterior overexposure problem by shooting at a different angle, which allowed for a more effective use of a graduated neutral density filter; but the shutter speed is slow, so the vegetation seen through the vents and at the end of the bridge is blurry due to motion. An HDR might have been a better choice for this type image, but I wasn’t keen on shooting the interior and I had more ground to cover this afternoon, so I did not take a lot of time inside the bridge.
There was so much motion of the vegetation caused by the wind, that I had to use high ISO to get sufficiently fast shutter speed to freeze the motion. The high ISO resulted in more noise, which I’ve tried to minimize in post processing.
The exterior of Cornstalk was not easy to shoot. I found a way down into the dry portion of the creek channel, but I could not get to a good view point, without wading through water and mud and I was not prepared to do that. So my side shots here are limited to views from the creek shore.
The image above is from the opposite end of the bridge from the first image. The lighting on this end was different than on the other end, making the colors darker. Even though it was cloudy, the sky was still bright, so I used a graduated neutral density filter to help balance the exposure across the entire image. There is no distinct line between the sky and the rest of the image, so I put the dark portion of the filter over the entire image, with the darkest portion over the upper part. This increases the color saturation of the entire image.
The third bridge that I photographed in the afternoon of my first day of seeking covered bridges in Indiana was the Bakers Camp Bridge.
I made use of a fairly new looking fence in a grassy area on one side of the bridge as a leading line to the bridge.
At the end of the fence line, near the bridge, I found a way down to the edge of the creek from which I made several photographs with reflections of the bridge in the creek, after removing some distracting litter along the near shore line. It is not always possible to physically remove distracting objects, but whenever it is, I like to do so, since that is far easier than having to remove the objects later in post processing.
Walking back up to the front of the bridge, I made the usual frontal close up to get the bridge name and date into a photograph.
I then walked onto the bridge to attempt shooting inside. I stood on one side in case of traffic, which is not usually heavy across these country bridges, but not unusual either. In fact, one friendly lady, driving an SUV, stopped momentarily to ask if I was getting good photographs.
Since it is dark inside these bridges, I used a high ISO and, due to the bright light at the end and from the top side vents, I made multiple exposures, combining them into an HDR image in post processing.
I walked on through and made other images from the opposite end.
Our second stop in the 2019 Covered Bridge Festival was at Bridgeton, Indiana. The original covered bridge here was one of several that were set afire by an arsonist. The bridge was rebuilt as a replica of the original.
The Bridgeton Mill is still in operation. One can purchase a variety of flour products in the mill and see a portion of the dusty flour milling operation.
There are many vendors of antiques, crafts, clothing, food and beverages available at the festival. We were here on a Sunday afternoon and it was rather crowded. We had lunch here and, of course, had to stand in a line for awhile to get our meal.
As at the Casey County Apple Festival in Liberty, Kentucky, I noted that there were many Trump promotional items, but no corresponding items for the current crop of Democratic Party Presidential candidates.
I’m sure that within the nearby urban area of Indianapolis, one would find a wider variation in political views.
In addition to shopping, one can take a carriage ride, enjoy arts and crafts and listen to local musicians.
The nature of this visit was not conducive to carrying around a large, heavy DSLR; consequently, the images in this post are all made via an iPhone 7 Plus with post processing in editing software.
A subsequent post will have more photographs of some of the interesting items one can see at these type events.